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Fuenteovejuna
Antonio Gades
Rio Gravité Zéro
Mourad Merzouki
Turba
Maguy Marin
May B
Maguy Marin
Eden
Maguy Marin
Chez Rosette
Kettly Noël
DéBaTailles
Denis Plassard
Hell
Pieter C. Scholten , Emio Greco
Kagemi [Beyond the methafors of mirror]
Ushio Amagatsu
Loin
Sidi Larbi Cherkaoui
Onqotô
Rodrigo Pederneiras
Black pearls
Ferenc Novák
Parade
Léonide Massine
Sombrero
Philippe Decouflé
Bahia de todas as cores
Charles Picq
Blue Lady
Charles Picq
Caminos Andaluces
Cristina Hoyos
Danse indienne – Odissi
Madhavi Mudgal
Entrée d’Apollon
Louis-Guillaume Pécour
Necesito
Dominique Bagouet
Dialogue II
Shang-chi Sun
L’Ange
Yan Raballand
Flamenco se escribe con jota
Miguel Angel Berna , Ursula Lopez , Rafael Campallo
Kinkan Shonen – Graine de Cumquat
Ushio Amagatsu
Bolero Variations
Raimund Hoghe
Interplay
Jimmy Slide
El Trilogy
Trisha Brown
Assaï
Dominique Bagouet
Asphalte
Pierre Rigal
Face à face
Joëlle Bouvier
Asphalte
Pierre Rigal
La mécanique des anges
Camille Rocailleux , Thomas Guerry
Che Malambo
Gilles Brinas
Les sept planches de la ruse
Aurélien Bory
Echoa
Camille Rocailleux , Thomas Guerry
Le corbeau et le renard
Dominique Hervieu
Tempus Fugit
Sidi Larbi Cherkaoui
Un peu de tendresse bordel de merde !
Dave St-Pierre
Incarnat
Lia Rodrigues
Tempus Fugit
Sidi Larbi Cherkaoui
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
Wheel in the middle of the Field
Alonzo King
Blue until June
Trey McIntyre
Interview de Charles Picq
Charles Picq , Fabien Plasson
ITW Guy Darmet
Charles Picq
Boyakodah
Georges Momboye
Ha! Ha!
Maguy Marin
El cielo de tu boca
Andrés Marin
Clair de lune
Georges Momboye
Le Lac des Cygnes – Acte II
Natalia Makarova , Marius Petipa , Lev Ivanov
Le Lac des Cygnes
Natalia Makarova , Marius Petipa , Lev Ivanov
Blue Lady [Revisited]
Miguel Angel Berna , Ursula Lopez , Rafael Campallo
Flamenco se escribe con jota
Miguel Angel Berna , Ursula Lopez , Rafael Campallo
Songook Yaakaar
Germaine Acogny
Nuit blanche
Esteban Moreno , Claudia Codega
Liens de table
Kader Belarbi
From Ashes
Koen Augustijnen
Na Grani
Mickaël Le Mer
Ex/Stase Narcisses-1
Coraline Lamaison
Fuenteovejuna
Antonio Gades
Shéhérazade
Alonzo King
La mémoire de la Maison…
Maison de la danse
Entre deux
Clarisse Veaux , Abdou N’gom
Marlon
Aude Lachaise
Présentation de numeridanse.tv
Maison de la danse
In your rooms
Hofesh Shechter
Lancement Officiel de numeridanse.tv
Maison de la danse
Bienvenue !
Maison de la danse
Clair de lune
Georges Momboye
Dix anges
Dominique Bagouet
Boyakodah
Georges Momboye
Bruit blanc [Autour de Marie-France]
Mathilde Monnier
À Contre Danse
Davy Brun
Empreintes Massaï – Interview
Georges Momboye
Welcome to paradise
Joëlle Bouvier , Régis Obadia
Non-Solo
Vladimir Golubev
Narcisses-0
Coraline Lamaison
KiloBâtie : Vivallure
Foofwa d’Imobilité
Babel (words)
Sidi Larbi Cherkaoui , Damien Jalet
Si je meurs laissez le balcon ouvert
Raimund Hoghe
Swan Lake
Raimund Hoghe
Swan Lake – Mort du cygne
Raimund Hoghe
Swan Lake
Raimund Hoghe
Sans Titre
Raimund Hoghe
Extasis
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
Pudique Acide-Recréation
Mathilde Monnier , Jean-François Duroure
Young people, old voices
Raimund Hoghe
Barroco
Dominique Duszynski , Ennio Sammarco
All things are quite silent
Andonis Foniadakis
Jazz au CND
Wayne Barbaste , Matt Mattox , Rick Odums , Géraldine Armstrong
Roméo et Juliette
Joëlle Bouvier
La Storia
Ennio Sammarco , Jean-Emmanuel Belot
Solo
Philippe Decouflé
Codex
Philippe Decouflé
La Storia
Ennio Sammarco , Jean-Emmanuel Belot
Breu
Rodrigo Pederneiras
Sechs Tänze
Jiří Kylián
Asimetrias
Andrés Marin
Juncá
Mercedes Ruiz
Gestos de Mujer
Mercedes Ruiz
Triton
Philippe Decouflé
Efecto Tango
Esteban Moreno
Solombra
Miguel Angel Berna
Dolores
Jomar Mesquita
De carne e sonho
Jomar Mesquita
The Stolen Show
Crystal Pite
Zeynep Tanbay and her dancers
Zeynep Tanbay
Mas alla del Tiempo
Andrés Marin
[OUPS+OPUS]
Berengere Fournier , Samuel Faccioli
Méli-Mélo II
Philippe Lafeuille
Christoffa
Davy Brun
Double Deux
Gilles Jobin
L’oubli, toucher du bois
Christian Rizzo
Para-Dice
Saburo Teshigawara
Second souffle
Riyad Fghani
Khallini Aïch
Aïcha M’Barek , Hafiz Dhaou
Gourbi
Charles Picq
Zenzena
Hafiz Dhaou
Gnosis
Akram Khan
xspectacle
Crystal Pite
Lecuona
Rodrigo Pederneiras
Hibiki
Ushio Amagatsu
Benjamin de Bouillis
Foofwa d’Imobilité
Pitié !
Alain Platel
Collection particulière
Maria Donata D’Urso
Description d’un combat
Maguy Marin
Vamos al tiroteo
Rafaela Carrasco
Erase-E(x) [parts 1, 2, 3]
Johanne Saunier , Isabelle Soupart
b.c, janvier 1545, fontainebleau.
Christian Rizzo
Luminous
Saburo Teshigawara
Miroku
Saburo Teshigawara
Accumulated Layout
Hiroaki Umeda
Le sacre du printemps
Maryse Delente
Kathak
Birju Maharaj
La mort du cygne
Tory Dobrin
50 ans de danse
Boris Charmatz
Aatt enen tionon
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
À bras le corps
Boris Charmatz
Ascension
Boris Charmatz
Boléro 2
Collectif FAIR-E / CCN de Rennes et de Bretagne
Les Disparates, le film
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
Education, le film work in progress
Boris Charmatz
Flip book
Boris Charmatz
herses (une lente introduction)
Boris Charmatz
Horace Benedict
Dimitri Chamblas
La Danseuse malade
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
Quintette cercle
Boris Charmatz
Statuts
Boris Charmatz
Une lente introduction
Boris Charmatz
Barroco
Dominique Duszynski , Ennio Sammarco
Levée des conflits
Boris Charmatz
Tarkos Training
Boris Charmatz
Roman Photo
Boris Charmatz
Birth of prey
Lisbeth Gruwez
It’s going to get worse and worse and worse, my friend
Lisbeth Gruwez
Danse Experimenta
Annick Charlot
enfant
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Improvisation
Boris Charmatz
Le sacre du printemps
Heddy Maalem
Les fuyantes
Boris Gibé
The Spectator’s moment (2016): Yoann Bourgeois
Yoann Bourgeois
Oyster
Inbal Pinto
Waxtaan
Germaine Acogny
Waxtaan
Germaine Acogny
La mécanique des anges
Choreography Thomas Guerry, Camille Rocailleux
Dance performance Aline Braz de Silva, Arnaud Cabias, Romie Esteves, Caroline Rose, Nicolas Martel, Clément Ducol, Christian Boissel, Olivia Scemana
“Uprooting, wandering, cohabitation, re-connection with our instincts, these are the central notions that we deal with in the work. In addition, we are interested in the rapport that we keep up with our own image, starting from the premise which states: by a mirroring effect, one’s self-image and the image of the other give rise to questions which step outside the strict artistic or narcissistic frame, and permit the enrichment of our connection with the world and with ourselves. Each performer takes part in both the musical dialogue and the choreographic dialogue.
The writing of our performances is a ‘four-handed’ affair. What connected us from the start of our work together was this idea that we shared fully, that there should not be musical writing on one side and choreography on the other, which would find its life and breath in the time and tempo of the other. Neither would the choreography dominate with the music serving as accompaniment. But that everything would advance, would be created in the same progression, in a ceaseless dialogue, each enquiring of the other, evolving in the same forward movement. The story line, as such, is kept as a kind of support. What really counts is the ‘echo’ which is inevitably produced by this process, by the interpretations of one and the other. Similarly, we expect our performers in their turn, with their own and unique being, to enrich (that is to say, modify) the given directions. In our auditions, we have up to now favoured talented younger people, like ourselves at the end of the day. This time, and we arrived at this quite naturally by the evolution of our own views, we wanted to take a closer look at old age, that ‘problem’ stage of life, and give it its own energy. In our third piece, even more than previously, we pay more attention to the use of the voice as a powerful vector of emotions, as well as the body, that of the dancer as much as that of the musician, bodily ‘states’, their presence in the world, their capacity to recount, to themselves alone, the sum of a narrative or a situation.
We have chosen not to perform in our new work so that we can ensure that we do not depart from the intentions which form the basis for our investigations:
-the meeting of periods, personalities, destinies, being involved in the present rather than the past or future of our characters
– their journey rather than their arrival point
– sensitive rather than cerebral
– letting go rather than absolute control
– the fantasy of the improbable rather than the authority of the logical
– the “sample” (as a selected part of the whole) of the individuals, their acts, in space and time, here and now, rather than the clearly-defined context
– telescoping of reason rather than coherence
– subtle evocation of recurring themes rather than ‘ready-prepared’ messages
– the fragility of one who ventures into unknown territory rather than pure, perfectly-controlled performance
– the intimate and unique emotional journey of each member of the audience rather than a linear story”
Thomas Guerry, Camille Rocailleux
Source : Maison de la Danse programme