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Une île de danse
Yvann Alexandre
Infinité
Yvann Alexandre
RE/SOURCES – 2021
Yvann Alexandre
Globule, un solo pour deux – 2011
Yvann Alexandre
Passages solo masculin – 1993
Yvann Alexandre
Entrée public – 2019
Yvann Alexandre
Orchiday’s -1994
Yvann Alexandre
Soirée de première décence – 1997
Yvann Alexandre
Au Lever du Jour
Yvann Alexandre
Intimoléum – 1999
Yvann Alexandre
K.EM – 2000
Yvann Alexandre
Observ. Impromptu – 2000
Yvann Alexandre
eXcises – 2004
Yvann Alexandre
Homogène – 2009
Yvann Alexandre
Le Corps Sombre – 2006
Yvann Alexandre
Blanc – Sèv. | création 2013
Yvann Alexandre
ÉCHO – Les Fragments Mobiles en Avignon – 2021
Yvann Alexandre
LES FRAGMENTS MOBILES | Conciergerie de Paris – 2017
Yvann Alexandre
BLEU. création – 2017
Yvann Alexandre
CONNEXIONS Petite Université de la Danse – 2018
Yvann Alexandre
Sous les flots – 2021
Yvann Alexandre
ORIGAMI éclats performatifs – Le film – Chapelle Expiatoire 2018
Yvann Alexandre
Sortie de Résidence : EHPAD Vihiers 18/19
Yvann Alexandre
ORIGAMI Miniatures – 2019
Yvann Alexandre
Teaser “Se méfier des eaux qui dorment” – 2021
Yvann Alexandre
ORIGAMI – L’Epau Abbey
Yvann Alexandre
ORIGAMI éclats performatifs Plié / Dépliés
Yvann Alexandre
Les Fragments Mobiles version scène
Yvann Alexandre
Documentary “When the stone is skin and the skin is stone” – 2018
Yvann Alexandre
Solo Origami
Yvann Alexandre
CLOUD / Ensa
Yvann Alexandre
LOONY / Non défini – 1998
Yvann Alexandre
Silence Duos
Yvann Alexandre
Projet Jumeaux
Yvann Alexandre , Harold Rhéaume
Soli Noirs – 2015
Yvann Alexandre
Infinité
Création 2023
Alternately slippery, solitary, in love, in momentum or in tension, two dancers transport us to the heart of an island, a vast field of possibilities, and let the encounter and humanity emerge from a limestone landscape.
Infinité is a journey in abstraction that focuses on the interior and exterior worlds, and caresses spaces and intimacies in a timeless way.
Living matter summoning the air and the circular, Yvann Alexandre’s dance invades the space, overflows the frame and brings to life a multitude of new worlds. The piece embraces the places of its passage where the performers, bearers of all our beings, give incarnation to a chameleon-like work with many faces.
From equinoxes to solstices, they form an island, in a path of great humanity, where an infinity of faces unfold with each gesture.
