This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Azucar (Cascanueces Contemporáneo)
Justina Brazaite
Baile de la Espiga (Coppelia I Acto)
Victor Molina
R.G.B.
Belén Iniesta
La encontrada
Renata Sheppard
Distance and time
Gema Iglesias
Enccelado
Mehdi Mojahid
Adoquines
Manuel Garzón
Preludio de un Fracaso
Diego Torrico
Fluye
Rosa Illescas , Sergio Estepa
Los Muertos
Gastón Igounet
La duda, la pausa
Julia Martos
Flores (Cascanueces Contemporáneo)
Sara Phillips
Loop
2014
Merlitones (Cascanueces Contemporáneo)
Francisco Bellido
Pasa
Michael Maurissens
Ole de la curra
Sara Phillips
Proyection
2014
Puerto de Arribada
Thomas Correa
Reflet’xion
Alicia Cabrero
Résiliences
Elsa Beau
Tejeduría
Shumpei Nemoto
The box
Gemma Pagés
Tribute to dog
Kryztof Stasiak
Tutaj Tango
Rami Shaya
Why?
Carolina Lourenço Fernandes
Dada Enclave 4/7
Roberto Olivan
Dzoe
Dominika Knapik
Fascinations
Mauro De Candia , Jorma Elo
Harnasie dance spectacle
Kaya Kołodziejczyk
Re//mix 2012-2014
2014
Thought in Motion
2014
Solo Project
2014
Apetece simplesmente ser
2012
Hannah
Sérgio Cruz
InArte – International Meeting of Inclusion throught Art
Pedro Sena Nunes
Dive (Mergulho)
Ana Rita Barata
O Depois
Ana Rita Barata
Nothing (O Nada)
Ana Rita Barata
Sobre Rodas
Ana Rita Barata
Edge
Ana Rita Barata
Mazurka
1985
Slask song and Dance Ensemble
Michał Januszaniec
Living tradition
2014
Championship of Polish dances
2015
Polonaise at the school leavers’ balls
2015
How like an angel
Yaron Lifschitz
C(h)œurs
Alain Platel
Momentum
Boris Seewald
Six seasons
Akram Khan
Private I’s
Dana Ruttenberg
Waterdrops
Juanjo Arques
Magnificat – If today was tomorrow and yesterday today
Heinz Spoerli
Sous apparence
Marie-Agnès Gillot
Nora
Alla Kovgan , David Hinton , Nora Chipaumire
Fluye
It could be say that “Fluye” is strength, charm and fragility, all at one time. It’s about a full dancing training, starting with the previous elongation, following by a toning process to end with the own part belonging to the dance.
Direction Rosa Illescas, Sergio Estepa
Choreography Iker Gómez
Music Jorge Grundman “Why”
Madrid, 2014
It could be say that “Fluye” is strength, charm and fragility, all at one time. It’s about a full dancing training, starting with the previous elongation, following by a toning process to end with the own part belonging to the dance.The exercise consists of choreographic and technical elements which endue the piece with a quiet, beauty and sensuality environment, what gets to involve you and transmit you the effort, freshness and consistency of the dance itself.