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3 Works for 12
Alban Richard
3 Works for 12
Alban Richard
3 Works for 12
Alban Richard
Nothing Compares 2 U
Mickaël Phelippeau
La Solidarité des ébranlés
Mélanie Perrier
L’écume des nuées
Phia Ménard
Une Fantôme-Danse
Alban Richard
For ever Now
Alban Richard
INSANE
Alban Richard
Fantasie minor
Marco da Silva Ferreira
Impressions, nouvel accrochage
Herman Diephuis
Echo Flux – the departed Heart
Alban Richard
The Loss of your Embrace
Alban Richard
Touch me lightly
Alban Richard
Vivace
Alban Richard
Fix Me
Alban Richard
Nombrer les étoiles
Alban Richard
Night:Light
Alban Richard
Breathisdancing
Alban Richard
Tricksters
Alban Richard
Chamber Dance
Alban Richard
Luisance
Alban Richard
as far as
Alban Richard
disperse
Alban Richard
Boire les longs oublis
Alban Richard
Pléiades
Alban Richard
Et mon coeur a vu à foison
Alban Richard
Lointain
Alban Richard
Et mon coeur a vu à foison
And my heart Has seen a plenty
Et mon coeur a vu à foison is a piece of gothic exuberance, which forces the line, exceeds the measure: a “monstrous” piece. Built like a polyptych, the piece unfolds a procession of frenzied bodies. Bodies that show themselves in their stupidity, in their weakness, bodies that spread in their insolent presence, exhausted bodies, bodies in a trance which strangely appear in incredible forms. The iconography concerning triumphs of death, medieval tapestries, great scenes of demonic possessions and miraculous healings, the iconography of Charenton and Salpêtrière hospitals, Zulawski’s horror and possession films in Argento, ritual trance ethnic dances have served us as creative material.
Robin Leduc worked his musical composition by searching medieval forms – ballads, rondeaux, songs – as well as polyphony and trance rhythms. How to create a music of apparent poverty while chord slips, rhythmic transformations are chiseled in detail?
The designer lights Valérie Sigward has built a suspended luminous object, like many falling stars, that sculpts and nimps the space. The nimbus is a luminous disc used to represent deceased characters.
Corine Petitpierre has created a plastic universe that oscillates between simplicity and profusion, between tribal and theatrical adornment. The costumes accompany, emphasize and are an integral part of the dramaturgy.
Source: CCN of Caen in Normandy