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Room With A View (video clip)
(LA)HORDE
any attempt will end in crushed bodies and shattered bones
Jan Martens
Bless This Mess
Katerina Andreou
Quando Quebra Queima
Martha Kiss Perrone
Sacré printemps !
Aïcha M’Barek , Hafiz Dhaou
Clowns
Hofesh Shechter
Echad Mi Yodea
Ohad Naharin
Noces
Angelin Preljocaj
La mirada del avestruz
Tino Fernandez
Rouge
Mickaël Le Mer
The Green Table
Kurt Jooss
Lazarus
Oona Doherty
Témoin
Saïdo Lehlouh
Extension
Amala Dianor , Junior Bosila
DUB
Amala Dianor
Queen Blood
Ousmane Sy
Eden
Maguy Marin
Welcome to paradise
Joëlle Bouvier , Régis Obadia
Plexus
Aurélien Bory , Kaori Ito
Éloge du puissant royaume
Heddy Maalem Heddy Maalem
She Dreamt of Being Washed Away To The Coast
Lukas Karvelis
P=mg
Jann Gallois
Compact
Jann Gallois
DUB
” For this creation, I will be recruiting urban dancers who are virtuosos of the new and changing dances that are currently developing in underground communities around the world and spreading everywhere via social networks. In association with composer Awir Leon, who will be present live, and visual artist Grégoire Korganow, I will be creating an ephemeral territory for these young people, designed as a meeting place, where they will be able to deploy their creative energy and the vitality of their dance for the duration of a performance.
DUB is not to be understood literally as a creation based on the music of this movement, but rather as a reference to the process of appropriation that is practised in this music, in urban dance and in my work in particular. This logic consists of using the quotation as a primary movement in order to propose its diversion, extension or rupture. Dub draws its musical tracks from acoustic reggae to distort it, bringing out the drums and bass, mixed with electronic sounds to create distant sonic spaces and new electro-atmospheric tonalities. I’m constantly experimenting with and developing this logic applied to movement in my creations. Here, the distortion will be twofold. The dancers have developed a body language that draws on the choreographic references of my generation. They offer them an initial extension opening up new dimensions, new fields. In turn, I want to modulate these new choreographies with the aim of connecting them to each other. I’ll be inviting the dancers to shift their practices, diffracting their techniques so that they can open up new spaces for collective creation, even more fluid, even brighter, even freer.”
Amala Dianor