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DISPARUE (dehors)

Director
Réalisation Centre national de la danse
Year of production
2018
Year of creation
2016

Rethought in a new version, DISPARUE (dehors) pursues its exploration of the crouching posture, originally adopted in the duet with Volmir Cordeiro, Époque (2015). As an evocation of ancient Japanese dance, just as much as an archetypal figure of Pre-Columbian culture, this centuries-old posture can now reveal all of its ambiguity and symbolic richness. Close to the  ground, with bent legs, and contracted thighs, Marcela Santander Corvalán thus varies her bodily balance or the position of her pelvis, to show how much the curved body can be dominant, aggressive, seductive and protective, or in submission, humiliated, imploring and fragile. These tensions then suggest, in a second reading, anthropological antagonisms (seduction/violence, maternity/war, the sacred/profane) that  transform the stage into an arena of combat, a ritual altar, or a porno  dance-floor. By unfurling a succession of multiple metamorphoses, the  performance can thus be interpreted as a vibrant archaeology of the  flexed body.

Director
Réalisation Centre national de la danse
Year of production
2018
Year of creation
2016
Art direction / Design
Marcela Santander Corvalán

Artistic advice / Dramaturgy
Regard extérieur Volmir Cordeiro, Mathilde Hennegrave, Ana Rita Teodoro, Amanda Piña

Duration
38 minutes
Lights
Maya Garcia
Performance
Marcela Santander Corvalán

Production of choreographic work
Spectacle créé le 25.06.2018 au CN D Centre national de la danse Version initiale créée le 29.02.2016 au Quartz, Scène nationale de Brest
Other
Mathilde Hennegrave
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