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For Four Walls
Petter Jacobsson , Thomas Caley
Jour de colère
Olivia Grandville
RainForest
Merce Cunningham
Happening birthday
Petter Jacobsson , Thomas Caley
Kayak
Etienne Cuppens , Sarah Crépin
Record of ancient things
Petter Jacobsson , Thomas Caley
Murmuration
Rachid Ouramdane
Discofoot
Petter Jacobsson , Thomas Caley
Transparent Monster
Saburo Teshigawara
Relâche
Jean Börlin
Unknown Pleasures
CCN – Ballet de Lorraine
Hymnen
Lia Rodrigues , Didier Deschamps
White Feeling
Paulo Ribeiro
ELEMENTEN I – Room
Cindy Van Acker
Le Surréalisme au service de la Révolution
Marcos Morau
Opal Loop/Cloud Installation #72503
Trisha Brown
Nine Sinatra Songs
Twyla Tharp
The Fugue
Twyla Tharp
Hedda
Ingun Bjørnsgaard
Devoted
Cecilia Bengolea , François Chaignaud
Steptext
William Forsythe
Duo
William Forsythe
Rave
Karole Armitage
HOK solo pour ensemble
Alban Richard
COVER
Itamar Serussi
Faits et Gestes
Ulysses Dove
Sounddance
Merce Cunningham
Relâche
Petter Jacobsson , Thomas Caley , Jean Börlin
Untitled Partner #3
Petter Jacobsson , Thomas Caley
Transposition #2
Emanuel Gat
Corps de Ballet
Noé Soulier
Shaker Loops
Andonis Foniadakis
The Vertiginous Thrill of Exactitude
William Forsythe
The Vile Parody of Address
William Forsythe
Sketches From Chronicle
Martha Graham
Fabrications
Merce Cunningham
La Création du monde 1923-2012
Faustin Linyekula , Jean Börlin
Rose – variation
Mathilde Monnier
Le Spectre
Lionel Hoche
Chroniques
Max Gérard
La Mère
Isadora Duncan , Elisabeth Schwartz
Etude Révolutionnaire
Isadora Duncan , Elisabeth Schwartz
Sourire de Fauves, Opus 2
Andrea Sitter , Maïté Fossen
Showroomdummies #3
Gisèle Vienne , Etienne Bideau-Rey
Life Story
Karole Armitage
One Part II
Russell Maliphant
Tragic Love
Stephen Petronio
Syndrôme
Jacopo Godani
Autumn Fields
Viola Farber
Trauma
John Neumeier
Les Biches
Bronislava Nijinska
Petite Suite à Danser
Brian Macdonald , Françoise Adret , Dirk Sanders , Félix Blaska
Break
Meredith Monk
Black and Tan
Françoise Sullivan
L’Héroïne ou la gloire Imprudente
Claude Brumachon , Benjamin Lamarche
Broken Man
Stephen Petronio
Une danse blanche avec Eliane
Sylvie Giron , Dominique Bagouet
La Camelle
Sidi Graoui
Two
Russell Maliphant
Le Jardin
Julien Ficely
Welcome to Paradise
Joëlle Bouvier , Régis Obadia
Performing Performing [teaser]
Petter Jacobsson , Thomas Caley
Objets Re-Trouvés [teaser]
Mathilde Monnier
In the Upper Room [teaser]
Twyla Tharp
Femmes Bûcherons
Dorte Olesen
EEEXEEECUUUUTIOOOOONS !!!
La Ribot
Duo d’Eden
Maguy Marin
Discofoot
Get your funk on! Get down and bogie! Bust a groove! Shake your tail feather! Cut a rug! Get your freak on!
Discofoot is an ass kickin, DJ spinin, maybe even twerkin free-styling battle, where football’s rules are twisted and thrashed by dance. Let the choreography of the ball take you on a ride that passes the unknown and spectacular possibilities of this dead serious performance of a football match…
You will never look at a pair of golden shorts and a “discofied” football the same again!
The match/performance is played using the basic forms, placement and rules of European football. BUT in order to move and/or travel on the field all are required to dance. Never at rest, a continuous improvisation develops that follows the ball but also pays close attention to artistic merit (the battle) which is also a key element to winning the game.
To determine this artistic merit, a panel of three artistic judges present scores twice during the match, first during the half-time and then a second after the game. These two rounds of scores are added to eventual goals to determine the winner. If, for ex a team has not scored a goal, but they have received higher scores from the judges who have deemed them superior dancers, they win.
Aside from the performative, the game also differs from professional football in its, all are equal stance on gender, cultural and esthetics norms. The indifference to one gender teams only allows for greater possibilities on the field. This match doesn’t have time for the usual hyper masculinity attributed to football – we’re just to busy dancing. When performed and received as it should be, DF shakes, shimmies and twirls us further away from our society’s cumbersome classifications.
Source: Ballet de Lorraine