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De carne e sonho

Choreography
Director
Collection
Year of production
2006
Year of creation
2003

De Carne e Sonho (Flesh and Dream) is a Brazilian tribute to the tango, a dance from the neighbouring countries, because the six dancers and the five musicians all come from Belo Horizonte. A sensual and freely-open tango, which even flirts with the samba carioca. A brilliant, spirited composition to the music of Piazzolla, Gardel, Barbieri and… Vivaldi. Dramatic or joyful tango, languorous or insolent tango, hieratic or audacious tango, body to body and heart to heart. The tango, passionately.

What does the tango mean to you?
“The tango represents an enormous and really intense feeling of passion with all its nuances. It is aggressive, extremely melancholic and suave, all at the same time. I can’t imagine that a person exists who is able to listen to Piazzolla’s music without feeling any emotion. Besides, the choreographic language of tango is fabulously rich, making it possible to produce beautiful creations indefinitely, even with music that has nothing whatsoever to do with tango. For example, the Samba in Brazil now borrows steps that come from the tango”.

Source : programme de salle de la Maison de la Danse

Choreography
Director
Collection
Year of production
2006
Year of creation
2003
Art direction / Design
Jomar Mesquita
Secondary artistic direction
Bruno Ferreira, Fernanda Nogueira, Juliana Macedo
Duration
1h05
Lights
Leonardo Pavanello
Music live
Quinteto Dialeto) Marcelo Corrêa, Renato Hanriot, Paulo Roberto Machado ,Camilo Córdova Christófaro, Daniel Córdova Christófaro
Other collaboration
Jomar Mesquita et Jacqueline de Castro (répétitions), Orlando de Paula (préparation)
Performance
Bruno Ferreira, Fernanda Nogueira, Jomar Mesquita, Juliana Macedo, Daniel Vidal, Fabiana Lopes, Welbert de Melo, Nayane Diniz
Production of video work
Cia Mimulus, Maison de la danse
Set design
Osla Arquitetura, Ed Andrade
Production of choreographic work
Baby Mesquita (production exécutive), Fabio Ramos, Regina Moura (assistants de production), Associação Cultural Mimulus (production), remerciements à Ministério da Cultura do Brasil, Secretaria Estadual de Cultura do Estado de Minas Gerais, Fundação Municipal de Cultura e Prefeitura Municipal de Belo Horizonte, Fundação Acesita, MSA Infor, Bergmann, Usiminas, Util
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