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CONNEXIONS Petite Université de la Danse – 2018
Yvann Alexandre
Corps politique
Daniel Léveillé
Petite Suite à Danser
Brian Macdonald , Françoise Adret , Dirk Sanders , Félix Blaska
Roof Piece
Trisha Brown
The spectator’s moment (2017): Robyn Orlin
Robyn Orlin
Robyn Orlin, de Johannesburg au Palais Garnier
Robyn Orlin
![Miniature de la vidéo Coupé décalé [1ère partie] – Robyn Orlin](https://numeridanse.com/app/uploads/2014/09/Coupe-decale-1ere-partie-8211-Robyn-Orlin-28878-120x70-c-default.jpg)
Coupé décalé [1ère partie] – Robyn Orlin
Robyn Orlin
Corps politique
Corps rebelles
Offering powerful images without words, dance has always been the ideal artistic vector of the political field, both as a propaganda tool and as a means of denouncing the horrors of war and economic crises.
In his most recent creations, the Canadian dancer and choreographer Daniel Léveillé asks the question of the intimate, of what remains in a technological world. For him, « the body itself is political » because it transcribes a state of society that passes through it despite himself.
Source: Corps rebelles
More information: http://corpsrebelles.museedesconfluences.fr/
The exhibition Corps rebelles invited the public to discover contemporary dance. She presented the different approaches of the dancing body, illustrated by emblematic choreographies.
The question of interpretation was also at the heart of the exhibition with eight versions of The Rite of Spring created by eight great choreographers. The exhibition continued by treating notation as a tool for memorizing and transmitting a gesture.
Source: Corps rebelles
More information: http://corpsrebelles.museedesconfluences.fr/
