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Popular Music (2005) — captation intégrale
Yuval Pick
ITW Yuval Pick
Yuval Pick
Score
Yuval Pick
loom
Yuval Pick
No play hero
Yuval Pick
Ply /new edit
Yuval Pick
PlayBach
Yuval Pick
Score
Yuval Pick
Folks
CCN de Rillieux-la-Pape – Direction Yuval Pick
Apnée (corps vocal)
CCN de Rillieux-la-Pape – Direction Yuval Pick
eddies (YK 15)
CCN de Rillieux-la-Pape – Direction Yuval Pick
Are friends electric? (2015) — teaser
CCN de Rillieux-la-Pape – Direction Yuval Pick
Yuval Pick & loom – ITW – Les Subsistances
CCN de Rillieux-la-Pape – Direction Yuval Pick
PlayBach (2010) — teaser
CCN de Rillieux-la-Pape – Direction Yuval Pick
eddies (2015) — captation intégrale
Yuval Pick
Hydre
Yuval Pick
Acta est fabula
Yuval Pick
Lil’Acta
Yuval Pick
Vocabulary of need
Yuval Pick
PRACTICE – de Yuval Pick
Yuval Pick
Lil’Acta (2019) — captation intégrale
Yuval Pick
FutureNow (2021) — teaser
Yuval Pick
There’s a blue bird in my heart
Andrew Ellis
There’s a blue bird in my heart
Andrew Ellis
Bugger
Yuval Pick
Bugger
Reportage à Chaillot - Théâtre National de la Danse
Commissioned by the Conservatoire National Supérieur de Musique et de Danse (CNSMD) in Paris
Craation 2021.
The students of the Conservatoire National Supérieur Musique et Danse de Paris take the floor to share their experience and feelings about the piece Bugger, created for them by Yuval Pick at Chaillot-Théâtre national de danse.
Bugger is a response to our primary, indeed primitive, need to interact and connect with others. As social mammals, we instinctively seek contact with others; a direct connection, without intermediary. Acting as a conduit, Yuval Pick aims to help the students of CNSMD Paris – and through them, a whole new generation of dancers – become spokepersons for all. Together, they construct dance as a shared space that is heterogenous, complex, fertile and moving.
Created using choreographic material from his piece Flowers Crack Concrete, Bugger invites us to head into the unknown, come out of ourselves to find others, and cross the borders that separate us; because dance is, first and foremost, an encounter.
