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Si c’est un nègre / autoportrait
Faustin Linyekula
Paris-Alger
Nacera Belaza
Un-2-Men-Show
Thomas Lebrun , Foofwa d’Imobilité
Traffic
Rosalind Crisp
Tahaman
Georges Momboye
Spécimen et autres phénomènes pata, para, supra et meta physiques pour danser la fin de la guerre froide…
Sébastien Lefrançois
Solum
Filiz Sizanli
I’m sitting in a room different from the one you are now
João Fiadeiro
Self(ish) Portrait
João Fiadeiro
Je ne sais pas, un jour, peut-être…
Nathalie Pernette
Le pur hasard
Nacera Belaza
A posteriori
Georges Appaix
Le loup et l’agneau [Duo]
Béatrice Massin
Laisser frémir
Elsa Wolliaston , Loïc Touzé
Hors sujet ou le bel ici
Martine Pisani
La Flûte enchantée
Nathalie Pernette
Effroi
Réalisation Centre national de la danse
Dolap
Mustafa Kaplan
Décompositions 1 et 2
Emmanuelle Vo-Dinh
Bribes
Haïm Adri
Back up
Haïm Adri
N° 11 : Le bleu est à la mode cette année…
Laure Bonicel
1 zeste 2
Bruno Sajous , Frédéric Werlé
Triptyque sans titre
Faustin Linyekula
Prologue – La longue histoire de « Vieilles gens, vieux fers »
Jean Weidt
Danser avec J. Weidt – La longue histoire de « Vieilles gens, vieux fers »
Françoise Dupuy , Jean Weidt , Dominique Dupuy
La griserie de l’espace, soirée autour de Jerome Andrews
Jerome Andrews , Dominique Dupuy
Le loup et l’agneau [Traqué]
Béatrice Massin
Atelier performance
Robyn Orlin
We must eat our suckers with the wrappers on
Robyn Orlin
Dans la rue
Robyn Orlin
Au restaurant
Robyn Orlin
Cygne – Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting each other
Robyn Orlin
Confit de canard [Tigresse et mouton]
Robyn Orlin
Confit de canard – Ann Crosset
Robyn Orlin
Performance / Installation
Faustin Linyekula
Entrée – Don Quichotte, solo provisoire
Dominique Boivin
Errance – Don Quichotte, solo provisoire
Dominique Boivin
Don Quichotte, solo provisoire [Dédale]
Dominique Boivin
La danse, une histoire à ma façon [D’Isadora Duncan à Valeska Gert]
Dominique Boivin
La danse, une histoire à ma façon [Diaghilev et Bauhaus]
Dominique Boivin
La danse, une histoire à ma façon [Années 1950-1970]
Dominique Boivin
Ce dont nous sommes faits [Marques, slogans, pays]
Lia Rodrigues
A quoi tu penses ? [Audition]
Dominique Boivin
A quoi tu penses ? [Solo]
Dominique Boivin
Bonté divine [Rencontre amoureuse]
Dominique Boivin , Pascale Houbin
Bonté divine [Lettres des amants]
Dominique Boivin , Pascale Houbin
Le Lion et le rat
Dominique Boivin
Incarnat [La mère et l’enfant]
Lia Rodrigues
Souffrances et genre humain – Incarnat
Lia Rodrigues
Chantier poétique [Le groupe]
Lia Rodrigues
Chantier poétique [Des corps différents ou violents]
Lia Rodrigues
Chantier poétique [Du solo au groupe]
Lia Rodrigues
Im Kopf – Le Cygne
Andrea Sitter
Le Cargo
Faustin Linyekula
Transmut-2 soli
Marie-Laure Agrapart
Cabinet des figures
Vanessa Le Mat
Zombie Aporia
Daniel Linehan
Pina Jackson in Mercemoriam
Foofwa d’Imobilité
Blackbird
Jiří Kylián
ATTENTE Dov’è la luna
Jean-Christophe Maillot
Closer
Benjamin Millepied
Hommage d’un demi-dimanche à un Nicolas Poussin entier
Hélène Iratchet
Krafff
Yan Raballand
Entrelacs
Lionel Hoche
La confidence des oiseaux
Luc Petton
Ouvrez !
Sylvain Prunenec
Imago
Frédérike Unger , Jérôme Ferron
Dervish in progress
Ziya Azazi
Le Ballet de la Merlaison
Christine Bayle
Le Bal Pendule
Nadine Beaulieu
Tango – Bal au centre… Balez donc
Thomas Lebrun , Christine Corday , Claudia Miazzo , Jean-Paul Padovani
Le Bal [Tango]
Brigitte Seth , Roser Montlló Guberna
Le Bal – Sevillanas
Brigitte Seth
Danses de société – Bal au Centre… Balez donc
Thomas Lebrun
Feue
Thomas Lebrun
Kawa, solo à deux
Aïcha M’Barek , Hafiz Dhaou
Popydog
Jonathan Capdevielle , Marlène Saldana
Un faible degré d’originalité (suffit à conférer une protection)
Antoine Defoort
Le répertoire en mouvement
Isadora Duncan , Noëlle Simonet , Jean-Marc Piquemal
Faites demi-tour dès que possible
Pierre-Johann Suc , Magali Pobel
Eikon [danse de Michael J]
Raphaëlle Delaunay
Eikon [duo Faune doré]
Raphaëlle Delaunay
Apparemment, ce qui ne se voit pas
Anne Le Batard , Jean-Antoine Bigot
Unfinished Fragments : Butterfly
Patricia Greenwood-Karagozian
Unfinished Fragments : Acknowledged
Patricia Greenwood-Karagozian
Une hypothèse de réinterprétation
Rita Quaglia
Grande leçon de danse Ingeborg Liptay
Ingeborg Liptay
Lumière du vide
Ingeborg Liptay
Wave 02
Hervé Robbe
Slogans / opus 1
Hervé Robbe
Une pièce mécanique
Pierre Cottreau , Geisha Fontaine
San
Vincent Mantsoe
Nkululeko
Réalisation Centre national de la danse
Plasticization
Nelisiwe Xaba
Black ! White ?
Nelisiwe Xaba
It’s not over until the fit phat fat lady sings
Hlengiwe Lushaba
Miss Thandi
Gregory Vuyani Maqoma
Beautiful me
Gregory Vuyani Maqoma
Beautiful
Gregory Vuyani Maqoma
Le cerf se voyant dans l’eau
Boyzie Cekwana
Parallèle
Amala Dianor
Noces / Quatuor
Aurélien Richard
Coco le roi du balai
Béatrice Massin
Warm
David Bobée
Hors jeux
Iffra Dia
The Nikel Project, songs & poems
Réalisation Centre national de la danse
Enjoy the Silence
Mickaël Phelippeau
Tempéraments
Shlomi Tuizer
JINX 103
Jozsef Trefeli , Gabor Varga
Le bal tango
Nadine Beaulieu , Brigitte Seth , Philippe Lafeuille , Roser Montlló Guberna
Planes
Trisha Brown
Quatre ciels
Thomas Lebrun
In no sense
Nicolas Paul
Tableaux vivants
Anne Juren
Dokuman
Mustafa Kaplan , Filiz Sizanli
Ô Senseï
Catherine Diverrès
Stance II
Catherine Diverrès
Sacre
David Wampach
Les modulables – Equally loud and in the same tempo
Joanne Leighton
Les modulables – Erasure duet
Joanne Leighton
Les modulables – Fibonacci fugue
Joanne Leighton
Les modulables – I’m getting nowhere and it is a pleasure
Joanne Leighton
Les modulables – I’m sitting in a room
Joanne Leighton
Fragment(s)
Arthur Harel
Des branchés
Céline Léfèvre
Watch iT!
Tony Mills
Popular Music [extrait 2]
Yuval Pick
Popular Music [extrait 1]
Yuval Pick
No play hero [extrait 2]
Yuval Pick
No play hero [extrait 1]
Yuval Pick
Very Wetr ! [extrait 2]
Régine Chopinot
Very Wetr ! [extrait 1]
Régine Chopinot
Sacre #197
Dominique Brun
Covariance
Niv Sheinfeld , Oren Laor
Big mouth
Niv Sheinfeld , Oren Laor
Danseuse piétonne
Maroussia Vossen
Cascade
Cécile Loyer
Mono
Itamar Serussi
Les yeux dans les yeux
Pierre Cottreau , Geisha Fontaine
Faux mouvement
Fabrice Lambert
Silhouette
Mlu Zondi
Ja,nee
Boyzie Cekwana
This is concrete
Jefta Van Dinther , Thiago Granato
Nervures
Fabrice Lambert
D’indicibles violences
Claude Brumachon , Benjamin Lamarche
La fille qui danse
Daniel Dobbels
Un son étrange
Daniel Dobbels
Sang froid
Julia Cima
Two room apartment
Niv Sheinfeld , Oren Laor
La nuit transfigurée
Philippe Saire
Double Take
Filipe Lourenço , Panagiota Kallimani , Emilio Urbina , Rafael Pardillo
Suivront mille ans de calme
Angelin Preljocaj
Marché noir
Angelin Preljocaj
Douve
Tatiana Julien
Final/ment/seule
Cécile Proust
Flat/grand délit
Yann Lheureux
Insensiblement
Myriam Gourfink
Flaque
Éric Longequel , Guillaume Martinet
Clinamen… ou l’Art de (ne pas) gérer une carrière
Lila Greene
Impair
Jérôme Brabant
Coupé décalé [1ère partie] – Robyn Orlin
Robyn Orlin
Coupé décalé [2e partie] – James Carlès
James Carlès
Répète
Fanny de Chaillé
Bruit de couloir
Clément Dazin
Ce que le jour doit à la nuit
Hervé Koubi
Vertige d’Elle
Claire Moineau
Drift
Cindy Van Acker
Beautiful
Recorded at the CND 7 October 2005
“The thousands of kilometres which separate them, [Gregory [Maqoma] lives and works in Johannesburg while Shanell, a member of Akram Khan’s company [since 2005], now lives in London], full touring schedules and a wedding to planning (Shanell and Akram), did not prevent the two dancers from meeting to work on a new duet, in France at the CND and then in Johannesburg. It was also at the CND, in February 2002, that they had danced their “Southern Comfort” together for the last time.
Since their first meeting at the Moving into Dance company in the 1990s, the links they have forged remain as each is willing to make the effort to continue working together. Maqoma also acknowledges the difficulty of finding a performer who understands his way of working as Shanell does. “Being on stage with her is always a gamble, she knows how to play with the elements of surprise and unpredictable change”, smiles Gregory, “we have a tacit agreement”. An unexpected consequence of this beautiful choreographic alchemy: Shanell was introduced to Akram Khan in October 2001 in London, at a performance of “Southern Comfort”… and that turned out pretty well! That Shanell Winlock became a muse for Maqoma and then for Khan is not surprising when you see her, both so spontaneous and so concentrated, using an incredible rhythmic dexterity, creating an intense, almost electric presence… Her own creativity remains at the service of the respective repertoire of the two choreographers.
For this new work, Gregory Maqoma decided to move away from the text which he had used for “Rhythm 1.2.3” in 1999 or for “Rhythm Blues” in 2000 to use movement on its own, offering the joint inspiration of the two dancers a new perspective, a new starting point. If the duel between modernity and tradition remains in their bodies, they wanted to stick with their recently gained and abundant maturity, and with the energy which man receives from nature and the harmony between movement and music. “With ‘Beautiful’, we wanted to create a piece that people will leave saying: ‘that was beautiful to watch’.”
“Beautiful”, premièred in Johannesburg on 23 June 2005 was extended considerably to become a group piece for his company Vuyani Dance Theatre, which was founded in September during the Festival Arts Alive. A third piece consists of an unusual solo project: Maqoma asked three of his distinguished colleagues, Vincent Mantsoe, Akram Khan and Faustin Linyekula (who are also close friends), to create a two minute phrase for him. The first experiments on this work were carried out by Mantsoe and Linyekula in residence at Bates Festival in the United States in the summer (while Akram and Shanell celebrated their wedding in South Africa), after which it would continue to develop over a year. Defying time and the distance between continents to make a work of art together. “How beautiful is that?”
Adrienne Sichel, journalist and critic for the newspaper “The Star”, Johannesburg, May 2005
Further information https://vuyani.co.za
Updating: September 2013