autant vouloir le bleu du ciel et m'en aller sur un âne

“autant vouloir le bleu du ciel et m’en aller sur âne”, is the first part of a diptych devoted to the relations between sound, light and performative and danced actions.
This work focused on the electronic manipulations of the sound which constitute for the public an experience of images and sounds organised in plans and laminated volumes.
Based on a scenic layout close to the architectural installation, the dialogue between the specific field of the third actors can then be set up : christian rizzo (choregraphic performance), gérome nox (sound), caty olive (light).
Every performing action produce a sound matter immediately transformed. We can question the light as a musical presence of the look.
Transformation or metamorphosis and the glidings of the performing body’s status become then rallying stakes, which let float (as in all christian rizzo’s projects) ghostly presences. Maybe poetes yukio mishima and mario de s?†-carneiro, maybe the painter Carravagio, maybe….

To conceive an “espace-temps” with different levels, as a space which is not any more a place of dialogue on the world but a dialogue on the human, the place where the human exchange with himself, the sound and lighting space appearing as the interface of this dialogue, which specifically has the mission to give shape to this exhibited moveable intimacy called performance.
christian rizzo