This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Insaisies
Dominique Bagouet
F. et Stein
Dominique Bagouet
Via
Régine Chopinot
Déserts d’amour
Dominique Bagouet
10 minutes d’écoute musicale
Michel Kelemenis
Nouvelle galerie
Michel Kelemenis
Le Crawl de Lucien, première représentation
Dominique Bagouet
Rosas danst Rosas
Anne Teresa De Keersmaeker
Le Défilé
Régine Chopinot
Le saut de l’ange
Dominique Bagouet
Opal Loop
Trisha Brown
Watermotor
Trisha Brown
Assaï
Dominique Bagouet
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Meublé sommairement
Dominique Bagouet
Le Printemps
Catherine Diverrès
Plaisir d’offrir
Michel Kelemenis
KOK
Régine Chopinot
Sinfonia Eroica
Michèle Anne De Mey
Red room
Bill T. Jones
D-Man in the waters
Bill T. Jones
Pour Antigone
CN D – Centre national de la danse
Façade, un divertissement
Régine Chopinot
Necesito, pièce pour Grenade
Dominique Bagouet
Zoulous, pingouins et autres indiens
Dominique Bagouet
Chinoiserie
CN D – Centre national de la danse
Nuit
Jean-Pierre Perreault
Still-Here
Bill T. Jones
Caminos Andaluces
Cristina Hoyos
Fruits
Catherine Diverrès
Assaï
Dominique Bagouet
Arrêtez, arrêtons, arrête
CN D – Centre national de la danse
1997 MK 13
Michel Kelemenis
Les lieux de là
Mathilde Monnier
Ma mère – La fiancée aux yeux de bois
Karine Saporta
herses (une lente introduction)
Boris Charmatz
Aatt enen tionon
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Les Disparates
Boris Charmatz , Dimitri Chamblas
Furies
Joëlle Bouvier
Triton
Philippe Decouflé
Fase
Anne Teresa De Keersmaeker
Paradis
Dominique Hervieu , José Montalvo
Hibiki
Ushio Amagatsu
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
Cygne – Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting each other
Robyn Orlin
RainForest
Merce Cunningham
Petite mort
Jiří Kylián
Sechs Tänze
Jiří Kylián
Voltes
Catherine Diverrès
Faits et gestes, voir ci-après [transmission 2016]
CN D – Centre national de la danse
El Trilogy
Trisha Brown
Young people, old voices
Raimund Hoghe
Two thousand and three
Gilles Jobin
Douar [teaser]
Kader Attou
La place du singe
CN D – Centre national de la danse
Swan Lake
Raimund Hoghe
Swan Lake
Raimund Hoghe
Park de 1998 à aujourd’hui [extrait 1]
Claudia Triozzi
Park de 1998 à aujourd’hui [extrait 2]
Claudia Triozzi
The Family Tree
Claudia Triozzi
Quintette cercle
Boris Charmatz
Hell
Pieter C. Scholten , Emio Greco
Double Deux
Gilles Jobin
Ha! Ha!
Maguy Marin
2008 vallée
CN D – Centre national de la danse
Régi
Raimund Hoghe , Boris Charmatz
b.c, janvier 1545, fontainebleau.
Christian Rizzo
Tempo 76
CN D – Centre national de la danse
Une danse blanche avec Eliane (1980)
Dominique Bagouet
Une danse blanche avec Eliane (1980)
Dominique Bagouet
We must eat our suckers with the wrapper on… Variation #1
Robyn Orlin
Good Boy
Alain Buffard
Les Inconsolés
Alain Buffard
O.C.C.C.
Régine Chopinot
Miroku
Saburo Teshigawara
Chez Rosette
Kettly Noël
Bolero Variations
Raimund Hoghe
Gustavia
CN D – Centre national de la danse
Madame Plaza
Bouchra Ouizguen
Ciao Bella
Herman Diephuis
Manta
Éric Lamoureux , Héla Fattoumi
Sans Titre
Raimund Hoghe
El cielo de tu boca
Andrés Marin
Gnosis
Akram Khan
Si je meurs laissez le balcon ouvert
Maison de la danse
Symfonia Piesni Zalosnych
Kader Attou
Symfonia Piesni Załosnych
Kader Attou
Hora
Ohad Naharin
Soapera
CN D – Centre national de la danse
Soapera
CN D – Centre national de la danse
Roaratorio [extrait 32 minutes]
Merce Cunningham
Roaratorio
Merce Cunningham
Pâquerette
Cecilia Bengolea , François Chaignaud
Sylphides
Cecilia Bengolea , François Chaignaud
Improvisation
Boris Charmatz
Pudique Acide-Recréation
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
Sacre
David Wampach
Pléiades
Alban Richard
Project 5
Ohad Naharin
Big mouth
Niv Sheinfeld , Oren Laor
Covariance
Niv Sheinfeld , Oren Laor
Brilliant Corners
Maison de la danse
Score
Yuval Pick
Metropolis – GAGA
Ohad Naharin
Yo Gee Ti
Mourad Merzouki
Käfig Brasil
Mourad Merzouki
Boxe Boxe
Mourad Merzouki
HIYA
Brahim Bouchelaghem
twin paradox
CN D – Centre national de la danse
TUÉTANO [extrait]
Andrés Marin
I’m going to toss my arms, if you catch them they’re yours
Trisha Brown
Думи мої – Dumy Moyi
François Chaignaud
Думи мої – Dumy Moyi
François Chaignaud
May B (2016)
Maguy Marin
Objets re-trouvés
Mathilde Monnier
enfant
Boris Charmatz
Flag
Maison de la danse
Flat/grand délit
Yann Lheureux
Resin
Alonzo King
BiT
Maguy Marin
And so you see… our honourable blue sky and ever enduring sun… can only be consumed slice by slice…
Robyn Orlin
Yātrā
Andrés Marin , Kader Attou
Savušun
Sorour Darabi
Alexandre
Pol Pi
d’après une histoire vraie
Christian Rizzo
Performance pour 27 chaussures
Olivier Saillard
Assaï
In this piece from 1984, references to the expressionist cinema abound : “doctors” inspired by Caligari, creatures “Musidora”, girls how Lilian Gish in Les Deux Orphelines, etc..
“I was due to create a work for the Biennale Internationale de la Danse de Lyon, and Musica wanted Pascal Dusapin to provide the music. This situation, along with my wish to work with him, did the rest. After seeing my previous three shows, he suggested ‘Assaï’, a recent composition that had been played in Venice. This would lend its name to the whole work, for which it acts only as kind of prelude (1st act). From the first time I heard the piece, it evoked many different sensations and I finally went with one that, even before the movement was born, suggested monochrome areas of shade and light, powerful and deep, as if welling up from my old passion for the images of expressionist cinema. […] Then I had to deal with the real difficulty of ‘starting to dance’ with this music which provoked a melancholy in me which I still wished to preserve. The danger of emphasis, of drowning the choreography in symbolic meaning, steered the show’s concept towards a firmly-constructed non-narrative drama, bringing to the fore the different states, characters, facial expressions and behaviour of the dance, in constant dialogue with the music: a relationship that shifts back and forth, either very close for both the scoring and melodic line, or very distant, in the opposite direction, allowing a very free, sometimes humorous, development.”
Source : Dominique Bagouet, 12 juin 1986