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Insaisies
Dominique Bagouet
F. et Stein
Dominique Bagouet
Via
Régine Chopinot
Déserts d’amour
Dominique Bagouet
10 minutes d’écoute musicale
Michel Kelemenis
Nouvelle galerie
Michel Kelemenis
Le Crawl de Lucien, première représentation
Dominique Bagouet
Rosas danst Rosas
Anne Teresa De Keersmaeker
Le Défilé
Régine Chopinot
Le saut de l’ange
Dominique Bagouet
Opal Loop
Trisha Brown
Watermotor
Trisha Brown
Assaï
Dominique Bagouet
Mama, Monday, Sunday or Always
Mathilde Monnier , Jean-François Duroure
Le Printemps
Catherine Diverrès
Plaisir d’offrir
Michel Kelemenis
KOK
Régine Chopinot
Sinfonia Eroica
Michèle Anne De Mey
Red room
Bill T. Jones
D-Man in the waters
Bill T. Jones
Pour Antigone
CN D – Centre national de la danse
Façade, un divertissement
Régine Chopinot
Necesito, pièce pour Grenade
Dominique Bagouet
Zoulous, pingouins et autres indiens
Dominique Bagouet
Chinoiserie
CN D – Centre national de la danse
Nuit
CN D – Centre national de la danse
Still-Here
Bill T. Jones
Caminos Andaluces
Cristina Hoyos
Fruits
Catherine Diverrès
Assaï
Dominique Bagouet
Arrêtez, arrêtons, arrête
CN D – Centre national de la danse
1997 MK 13
Michel Kelemenis
Les lieux de là
Mathilde Monnier
Ma mère – La fiancée aux yeux de bois
Karine Saporta
herses (une lente introduction)
Boris Charmatz
Pour Antigone, quatre portraits
CN D – Centre national de la danse
Aatt enen tionon
Boris Charmatz
Aatt enen tionon
Boris Charmatz
À bras le corps
Boris Charmatz , Dimitri Chamblas
Les Disparates
Boris Charmatz , Dimitri Chamblas
Furies
Joëlle Bouvier
Triton
Philippe Decouflé
Fase
Anne Teresa De Keersmaeker
Paradis
Dominique Hervieu , José Montalvo
Hibiki
Ushio Amagatsu
Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting eachother
Robyn Orlin
RainForest
Merce Cunningham
Petite mort
Jiří Kylián
Sechs Tänze
Jiří Kylián
Voltes
Catherine Diverrès
Faits et gestes, voir ci-après [transmission 2016]
CN D – Centre national de la danse
El Trilogy
Trisha Brown
Young people, old voices
Raimund Hoghe
Two thousand and three
Gilles Jobin
Douar [teaser]
Kader Attou
La place du singe
CN D – Centre national de la danse
Swan Lake
Raimund Hoghe
Swan Lake
Raimund Hoghe
Swan Lake – Mort du cygne
Raimund Hoghe
Park de 1998 à aujourd’hui [extrait 1]
Claudia Triozzi
Park de 1998 à aujourd’hui [extrait 2]
Claudia Triozzi
The Family Tree
Claudia Triozzi
Quintette cercle
Boris Charmatz
Hell
Pieter C. Scholten , Emio Greco
Double Deux
Gilles Jobin
Ha! Ha!
Maguy Marin
2008 vallée
CN D – Centre national de la danse
Régi
Raimund Hoghe , Boris Charmatz
b.c, janvier 1545, fontainebleau.
Christian Rizzo
Tempo 76
CN D – Centre national de la danse
Une danse blanche avec Eliane
Sylvie Giron , Dominique Bagouet
We must eat our suckers with the wrapper on… Variation #1
Robyn Orlin
Good Boy
Alain Buffard
Les inconsolés
Alain Buffard
O.C.C.C.
Régine Chopinot
Miroku
Saburo Teshigawara
Chez Rosette
Kettly Noël
Bolero Variations
Raimund Hoghe
Gustavia
CN D – Centre national de la danse
Madame Plaza
Bouchra Ouizguen
Ciao Bella
Herman Diephuis
Manta
Éric Lamoureux , Héla Fattoumi
Sans Titre
Raimund Hoghe
El cielo de tu boca
Andrés Marin
Gnosis
Akram Khan
Si je meurs laissez le balcon ouvert
Maison de la danse
Symfonia Piesni Załosnych
Kader Attou
Hora
Ohad Naharin
Soapera
CN D – Centre national de la danse
Soapera
CN D – Centre national de la danse
Roaratorio
Merce Cunningham
Roaratorio [extrait 32 minutes]
Merce Cunningham
Pâquerette
Cecilia Bengolea , François Chaignaud
Sylphides
Cecilia Bengolea , François Chaignaud
Improvisation
Boris Charmatz
Pudique Acide-Recréation
Mathilde Monnier , Jean-François Duroure
Extasis
Mathilde Monnier , Jean-François Duroure
Extasis
CN D – Centre national de la danse
Extasis
Mathilde Monnier , Jean-François Duroure
Sacre
David Wampach
Pléiades
Alban Richard
Project 5
Ohad Naharin
Big mouth
Niv Sheinfeld , Oren Laor
Covariance
Niv Sheinfeld , Oren Laor
Brilliant Corners
Maison de la danse , Montpellier Danse
Score
Yuval Pick
Metropolis – GAGA
Ohad Naharin
Yo Gee Ti
Mourad Merzouki
Käfig Brasil
Mourad Merzouki
Boxe Boxe
Mourad Merzouki
HIYA
Brahim Bouchelaghem
twin paradox
CN D – Centre national de la danse
TUÉTANO [extrait]
Andrés Marin
I’m going to toss my arms, if you catch them they’re yours
Trisha Brown
I’m going to toss my arms, if you catch them they’re yours
Trisha Brown
Думи мої – Dumy Moyi
François Chaignaud
May B (2016)
Maguy Marin
Objets Re-Trouvés [teaser]
Mathilde Monnier
enfant
Boris Charmatz
Flag
Maison de la danse
Flat/grand délit
Yann Lheureux
Resin
Alonzo King
BiT
Maguy Marin
And so you see… our honourable blue sky and ever enduring sun… can only be consumed slice by slice…
Robyn Orlin
Du Désir d’horizons
Salia Sanou
Yātrā
Andrés Marin , Kader Attou
Savušun
Sorour Darabi
Alexandre
Pol Pi
d’après une histoire vraie
Christian Rizzo
Performance pour 27 chaussures
Olivier Saillard
À bras le corps
“À bras le corps” is the first duet created and performed by Boris Charmatz and Dimitri Chamblas. It represents the origin of the desire to set dance among the audience, rather than in front of them.
À bras le corps is the first duet created and performed by Boris Charmatz and Dimitri Chamblas. It represents the origin of the desire to set dance among the audience, rather than in front of them—a desire which will be instrumental in later pieces such as Aatt enen tionon and herses (une lente introduction). The dancing body is visible from different angles, and writing is conceptualized in a multidirectional space. This duet asserts the physicality of male bodies in close contact. In a rather intimate setting, playing on the proximity of the dancing bodies, the dance is explosive and captivating, demanding that the spectator find the necessary distance to take in the work. From the inception of the project, Boris Charmatz and Dimitri Chamblas hoped that this physicality would be of long duration. How is it possible that this duet could survive over the years, evolve and mature along with the aging bodies, and generate new artistic projects? This is what the two selected extracts intend to demonstrate by focusing on the same moment in the performance—one filmed in 1999 at the Archa Theatre in Prague, the other ten years later, on the occasion of the Preview of the Museum of Dance in Rennes. How do the bodies take charge of the writing of this duet across time and space? How is choreographic writing stabilized even while incorporating an impermanent, sensitive, and necessarily evolving dimension?
Source : Site de Boris Charmatz
En savoir plus :
http://www.borischarmatz.org/