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50 ans de danse
Boris Charmatz
Aatt enen tionon
Boris Charmatz
À bras le corps
Boris Charmatz
Ascension
Boris Charmatz
Les Disparates, le film
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Horace Benedict
Dimitri Chamblas
La Danseuse malade
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
Quintette cercle
Boris Charmatz
Statuts
Boris Charmatz
Une lente introduction
Boris Charmatz
Levée des conflits
Boris Charmatz
Tarkos Training
Boris Charmatz
Roman Photo
Boris Charmatz
enfant
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Improvisation
Boris Charmatz
À bras le corps
“À bras le corps” is the first duet created and performed by Boris Charmatz and Dimitri Chamblas. It represents the origin of the desire to set dance among the audience, rather than in front of them
À bras le corps is the first duet created and performed by Boris Charmatz and Dimitri Chamblas. It represents the origin of the desire to set dance among the audience, rather than in front of them—a desire which will be instrumental in later pieces such as “Aatt enen tionon” and “herses (une lente introduction).” The dancing body is visible from different angles, and writing is conceptualized in a multidirectional space. This duet asserts the physicality of male bodies in close contact. In a rather intimate setting, playing on the proximity of the dancing bodies, the dance is explosive and captivating, demanding that the spectator find the necessary distance to take in the work. From the inception of the project, Boris Charmatz and Dimitri Chamblas hoped that this physicality would be of long duration. How is it possible that this duet could survive over the years, evolve and mature along with the aging bodies, and generate new artistic projects? This is what the two selected extracts intend to demonstrate by focusing on the same moment in the performance—one filmed in 1999 at the Archa Theatre in Prague, the other ten years later, on the occasion of the Preview of the Museum of Dance in Rennes. How do the bodies take charge of the writing of this duet across time and space? How is choreographic writing stabilized even while incorporating an impermanent, sensitive, and necessarily evolving dimension?
Source : Boris Charmatz
More information :
http://www.borischarmatz.org/