This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
50 ans de danse
Boris Charmatz
Aatt enen tionon
Boris Charmatz
À bras le corps
Boris Charmatz
Ascension
Boris Charmatz
Les Disparates, le film
Boris Charmatz
Les Disparates
Boris Charmatz , Dimitri Chamblas
herses (une lente introduction)
Boris Charmatz
Horace Benedict
Dimitri Chamblas
La Danseuse malade
Boris Charmatz
Programme court avec essorage
Boris Charmatz , Julia Cima
Quintette cercle
Boris Charmatz
Statuts
Boris Charmatz
Une lente introduction
Boris Charmatz
Levée des conflits
Boris Charmatz
Tarkos Training
Boris Charmatz
Roman Photo
Boris Charmatz
enfant
Boris Charmatz
Régi
Raimund Hoghe , Boris Charmatz
héâtre-élévision (pseudo-spectacle)
Boris Charmatz
Improvisation
Boris Charmatz
50 ans de danse
This work of choreography, created following “Flip Book” and “Roman photo,” is based on the same principle: namely staging the photographs from David Vaughan’s book, Merce Cunningham, Fifty Years.
This work of choreography, created following “Flip Book” and “Roman photo,” is based on the same principle: namely staging the photographs from David Vaughan’s book, Merce Cunningham, Fifty Years. The procedure adopted consists in creating a succession of scenes following the chronological order of the book and reproducing all the positions captured by the camera lens. Thus retracing Cunningham’s chronology, these three performances reflect our perception of Cunningham’s dance derived from a source of static images. Boris Charmatz invited former dancers from Cunningham’s company to set this process in motion in “50 years of dance.” How are their bodies marked by their experience of working with Cunningham? How do they approach the photographs of Cunningham’s performances in which they themselves took part? The film clip reveals the wealth of choreographic writing which unfolds according to the rule of the work’s construction, and the juxtaposition of dance photographs and snapshots of moments of work, or even of everyday life, taken from the book. It shows how these dancers invest a basic material in order to propose an extrapolation through movement.
Source : site internet Boris Charmatz
More informations :
http://www.borischarmatz.org/