Françoise Dupuy

This dancer and choreographer founded the Ballets modernes de Paris (1954-1979) with Dominique Dupuy (whom she met while working for Jean Weidt), and the International Contemporary Dance Encounters (1969). Appointed as Dance Inspector at the French Ministry of Culture in 1987, Françoise Dupuy worked to set up the State Diploma and initiate dance in schools. In 1990 she became director of the IFEDEM Danse, which in 1996 became the Paris teaching department of the APCND (Preliminary Association for the National Dance Centre). In 1997 she created and ran, with Dominique Dupuy, the Mas de la Danse, a study and research centre for contemporary dance which operated until 2008. Since then, they have concentrated on arranging their archives, while continuing with stage appearances and teaching.

Active on all fronts – as choreographer, animateur, director of a company, researcher and teacher – Françoise Dupuy has also performed, among others, Jean Weidt’s “La Cellule” (1949), Deryk Mendel’s “Epithalame” (1958), Dominique Dupuy’s “La Femme et Son Ombre” (1968) and Jerome Andrews’ “Capture Ephémère”. She has been an associated artist at the Ballet Atlantique Régine Chopinot and choreographed “Paso”, “Visage de Terre”, “Antigone”, “Ana non” and “Eclats”. Her dancing and teaching are marked by Hellerau-Luxembourg, her “choreographic cradle”.

Françoise Dupuy died on September 15, 2022 at the age of 97.