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Urban Ballet

Choreography
Director
Réalisation Centre national de la danse
Year of production
2008

Committed to virtuosity and the hybridisation of genres, with Urban Ballet, Anthony Egéa offers us an urban dance that “combines hip-hop techniques and classical touches”. »

This urban ballet opens with the solo of one dancer, performing to Vivaldi’s Stabat Mater. The second tableau unites on stage a hip-hop corps de ballet: 9 interpreters on the floor, breaking down hip-hop movements to Ravel’s Boléro. A trio then enters the stage to a score by Iannis Xenakis.

In the last tableau, an ensemble of 10 dancers emerges to an orchestral composition by Franck II Louise.

“Hip-hop dancers are both curious and passionate. Always eager to learn, over the past twenty years they have tried, tested and incorporated all dance forms: contemporary, traditional Indian, flamenco…

Today, their target is classical dance, its codes, its vocabulary, its repertoire pieces. In recent years they have stated all they have in common with ballet: the same love for feats, virtuosity. Today they deliver the result, with pieces frankly inspired by the academic repertoire.

[…] Anthony Egéa’s Urban Ballet, a piece for 10 dancers, is the result of 15 years’ passion for classical dance that he discovered at a very young age, in the early 1990s, thanks to scholarships and the Cannes dance school.

5 years ago, he fulfilled his dream: that of opening a school, the two basic teachings of which are hip-hop and classical dance. Its first graduates are the Urban Ballet dancers. “I want to give a classical touch to hip-hop”, he explains.

I also try to invent hybrid gestures, by combining, for example, classical dance’s aerial movements with work on the floor. Compared with hip-hop’s solitary dance style, the corps de ballet is also a means of inventing a sharing of movement. United, Urban Ballet, to Ravel’s Boléro, takes up the challenge of the community. »

Rosita Boisseau, « Quand le hip hop et ses danseurs s’entichent de la danse classique »,  [“When hip-hop and its dancers become infatuated with classical dance”], Le Monde, January 12th, 2008.

Choreography
Director
Réalisation Centre national de la danse
Year of production
2008
Choreography assistance
Célia THOMAS
Duration
60 minutes
Lights
Florent BLANCHON
Other collaboration
Maître de ballet Martial BOCKSTAELE
Performance
Dorine AGUILAR, Christopher CHIEFARE,Carole DAUVILLIER, Aurélien DESOBRY,
Lenny FATTORE, Brice Jean MARIE, Jérôme LUCA, Laura LUCA, Caroline TEILLIER, Nicolas SANNIER
Production of video work
Enregistré au CND le 20 juin 2008 dans le cadre du festival Danse HipHop Tanz
Set design
Florent BLANCHON
Technical direction
Régie son : Jules BERBESSOU, Yvon TUTEIN Régie plateau : Julien COMPAGNON
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