Unischtbarst

The stage, small, a square of five by five meters, all in aluminum, is reminiscent of a reflecting wave.
The decor is sober, if not non-existent. No pretense, the main thing is elsewhere, in the way of staging and moving the subject. At the beginning, Anna Huber enters wearing felt slippers. She slides on the floor, looks at herself in a mirror and begins a gesture that will never stop.
From her opus, Anna Huber likes to say that space, light, movement, music are inseparable.
“The multiple ways of being and contradictions of humans are presented from different points of view. Whether in extreme zones, in empty spaces or in opposite situations, I can find inspiration endlessly The body is both instrument and subject of research. Open questions and paradoxes represent the motivation of my work.