Twenty-seven perspectives mobiles

Entrusted to Anne-Karine Lescop and Simon Feltz, assisted by Alexandra Fribault, the recreation of Maud Le Pladec’s Twenty-seven perspectives was conceived for 27 amateur dancers from Orléans. The group is intergenerational: the youngest is 9 years old, and the participants have different body practices: dancers, sportsmen and women, amateurs.

Twenty-seven perspectives mobiles is a group of people who form a community. Twenty-seven perspectives mobiles is about how otherness, the encounter with the other, can produce a shared artistic gesture.
Anne-Karine Lescop and Simon Feltz imagined a score adapted from Maud Le Pladec’s play, based on the pleasure of individual and group movement, dialogue with oneself and others, and sensitive listening to Schubert’s music. Without betraying the original piece, Twenty-seven perspectives mobiles is like a return to the sources, to the direct resonance of the music on the bodies, taking into account the chiselled writing of the piece’s choreography.