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"top"
“Dance has as its preferred tool what we all have at our disposal: a body, fabulous, possibly listening to oneself, to the other, to others and to the world…”
« top » is an onomatopoeia, an injunction, a starting signal
« top » tinkles boldly in the ear
« top » is a tiny word consisting of 3 characters
« top » means above, even higher, a kind of summit
« top » is an arrow; a link between nadir and zenith
« top » is the ultimate name given by Régine Chopinot to a piece that has constantly changed name and format since its inception, in May 2019, as part of the Fabrique d’expériences, an initiative of Hortense Archambault, director of the MC93 – Maison de la culture de Seine St Denis in Bobigny.
While waiting for the work to be definitively named, the piece was first entitled deuxzérodeuxun then deuxzérodeuxdeux then 2 0 2 2 then 2 0 2 … and finally « top ».
With time as an absolute companion, and in the form of fundamental and applied research laboratories, this is how Régine Chopinot creates, in the company of those close to her artistically.
With regular openings to the public to share the progress of the work in the form of stages, each as important as the next, the idea is to meet people without it being auditions, and to work on the spirit and resonance of the places.
« top » is a kind of danced, performed, choreographed matrix, made up of people on a long-term basis, a moving team with arrivals and departures. « top » remembers everything, every person, every place, every improvisation. « top » is a kind of iceberg; it’s advisable not to rely on the emerged part.
« top »
Rhythm is the key
The moment when the body starts to move
Rocking and shaking
Tying and untying
In vibration
Music
Vincent on drums
Nico on guitars
Energy
« top » is anything but soft
« top » dépote
A noisy, fearless force
Naoko Prunelle Mellina
Tristan Deyvron Bekaye Julien
Nicolas and Sallahdyn
Walk, walk, walk
Run
Jump, jump
Turn, turn, turn
Porter se faire porter
Always lend a hand, always
Let yourself look
Listen see smell