STAYIN ALIVE

STAYIN ALIVE: the title of Mark Tompkins’s new work  incorporates some of the paradoxes that he has been continually  grappling with throughout his career: creating confusion, mixing the  spectacular and the intimate, interweaving the resources of the voice  and the body and disguises of every kind, introducing to the  contemporary stage a web of influences from song to cabaret in order to  explore the ambiguous relationship between fiction and embodiment. STAYIN ALIVE  is thus a disco hit – one whose title immediately triggers the first  notes in people’s minds – and a meaning, staying alive, which evokes a  meditation on passing time, aging, death and the future for the dancer’s  body. This work was inspired by the feeling of what it is like to now  be categorised as ‘old’, with your career behind you: too old to dance,  to move, to create. Faced with this silent injunction to disappear and  become a name in history, Mark Tompkins asserts the persistence of the  body as a force in the present: a body at the boundary between what he  is and all his futures, all the states he has dreamt about. A danse  macabre, STAYIN ALIVE goes back and forth, frolics, sings,  sings again, repeats; lists real and imagined lives, states passed  through and those that remain to be invented. The stage becomes a big  fiction – the locus for the reality of bodies and at the same time for a  scrap of eternity wrenched from time. In this show in which you never  know what to take at face value, what to see as biting irony or a  celebration of transformation, the passion for embodying persists.

A multi-faceted choreographer, singer and dancer, Mark Tompkins  masters different genres and mixes forms in a tireless quest to break  down barriers. With the company I.D.A., founded in 1983, he creates  unique performances combining music, song, text and video. Created in  collaboration with stage designer Jean-Louis Badet, his works veer  between concerts, performances, solos and group pieces, such as the  musical trilogy BLACK’N’BLUES (2010), OPENING NIGHT (2012) and SHOWTIME (2013). In 2017, he created BAMBI un drame familial, then HOLY ROLLER with and for James Carlès and RESURRECTION in collaboration with Mariana Tengner Barros.

Source: program of the CND