This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Statuts
With this film, César Vayssié, a film maker who has been closely following Boris Charmatz’s work, offers a sensitive approach to and a singular insight into “Status,” an exhibition project of variable geometry.
With this film, César Vayssié, a film maker who has been closely following Boris Charmatz’s work, offers a sensitive approach to and a singular insight into “Status,” an exhibition project of variable geometry. It shows the multiplicity of materials used in the installation version designed for the Ferme du Buisson in March 2001. With Boris Charmatz’s project, seen through César Vayssié’s lens, the field of choreography is opening its doors to mixed-media interpretation: from large-format serigraphs by Jean-Luc Moulène to Sylvia Bossu’s installation, passing through more choreographic works which engage human bodies, such as “Programme court avec essorage” or “Narcisse Flip—Loop” by Xavier le Roy in collaboration with Tino Sehgal. From the very beginning of the film, Vincent Dupont’s reading challenges the presence of dance and bodies in the very act of reading and, in turn, the content of the read text: the presence of dance in the act of reading, the presence of dance in the heard content. César Vayssié’s film juxtaposes the spaces of the exhibition using very choppy sequences which offer a fragmentary vision that transcends the mere documentary function. Although the film is shown here in its entirety, it is in small format, and should be viewed for research purposes only.
Source : Boris Charmatz
More information :
