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Filmed performances

Reusable Parts/Endless Love

Choreography
Choreography
Director
Réalisation Centre national de la danse
Year of production
2017
Year of creation
2011

Since 2003, the Los Angeles-based artists Gerard & Kelly have been working together to create installations and performance-based  works which question the formation of the couple and the critical potential of intimacy. Honing in on the gaps between dance and language, Reusable Parts/Endless Love and Timelining examine the shapes that our most intimate relationships take on.
With their influences in minimalist dance, institutional critique and queer theory, Brennan Gerard and Ryan Kelly develop work at the frontier between dance and contemporary art, and in which text, video and  sculpture finds its place.
In Reusable Parts/Endless Love, four performers “perform” the sound description of a kiss between a man and a woman. Its inspiration lies in a performance by Tino Sehgal in  2010. This intimate and symbolic gesture is declined, repeated and transmitted in a potentially unlimited loop. This in turn reveals the mechanics of the act itself and sets forth a multitude of gender-related combinations. After all, isn’t this love ritual a performance just like any other?

Source : https://www.festival-automne.com

Choreography
Choreography
Director
Réalisation Centre national de la danse
Year of production
2017
Year of creation
2011
Art direction / Design
Gerard & Kelly
Duration
75 minutes
Performance
Matthieu Barbin, Lenio Kaklea, Ryan Kelly, Angèle Micaux, Calixto Neto
Scene setting
Gerard & Kelly
Production of choreographic work
Production Festival d’Automne à Paris. Coproduction CN D Centre national de la danse. Coréalisation CN D Centre national de la danse, Festival d’Automne à Paris. Avec le soutien de FUSED: French-US Exchange in Dance, un programme de the New England Foundation for the Arts’ National Dance Project, du service culturel de l’Ambassade de France aux États-Unis, et de FACE Foundation, avec le soutien de the Doris Duke Charitable Foundation, the Florence Gould Foundation, et du ministère de la Culture. Une commande de Danspace Project, New York. Performance créée en 2011 à St Mark’s Church, New York.
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