Numeridanse est disponible en français.
Souhaitez-vous changer de langue ?
Warning, sensitive content.
This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?

Prémonitions

Choreography
Company
Groupe Émile Dubois
Year of production
1994
Year of creation
1994

Premonitions tries to say that art, gold and silver – and, sometimes, dance as well – can bring with them questions or even messages – coded messages or flows of emotions, can be about very serious matters (or, for that matter, not serious at all, in homage to Jean Carmet)… There is always this idea that art should be neither too dogmatic nor too “politico-social”. It should be a wish to be listening to the world, to feel alive in relation to current affairs, but to find a way of expressing oneself which is slightly eccentric, slightly to one side, sometimes below, sometimes above, often between brackets, and always at the margins. With a trump card – an image-rich, symbolic and impressionistic way of saying things. Dance seems to be more flexible because of this – because it is not forced to state anything directly. In this way, it is similar to music. We aren’t at the theatre, we are at the theatre, we aren’t at the theatre, we are dancing at the theatre. Borrowing, squatting… Where are we now, with our snippets of phrases and our secrets?

Choreography
Company
Groupe Émile Dubois
Year of production
1994
Year of creation
1994
Choreography assistance
Mathilde Altaraz
Duration
68′
Lights
Jacques Albert, Jean-Claude Gallotta
Original score
Serge Houppin, Henry Torgue
Performance
Mathilde Altaraz, Annabelle Bonnéry, Caroline Boureau, Darrell Davis, Massimo Giorgi, Makram Hamdan, Prisca Harsch, Fanny Longa, Lysiane Magnet, Samuel Mathieu, William Patinot, Geneviève Reynaud, Thierry Verger
Production of choreographic work
Centre Chorégraphique National de Grenoble, coproduction Le Cargo – Grenoble / Théâtre de la Ville – Paris / T.N.D.I. – Châteauvallon
Add to the playlist