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Choreography
Director
Year of production
2000
Year of creation
2000

The staging system is described as an exploded form to the scale of our frame. The physicality and plasticity of this deliberately minimal space allow the image and sound to recompose this object in a polymorphic and complex way.

Audiovisual installation. The staging system is described as an exploded form to the scale of our frame. The physicality and plasticity of this deliberately minimal space (translucent and opaque vertical planes, screens, two-way mirrors) allow the image and sound to recompose this object in a polymorphic and complex way. This architecture, in the very image of the multiple components of the dancing body which is being continually recomposed, encourages a practical experience of perception by the audience. This elicits changes of place, choice of posture, multiple axes of view. Thanks to the capacity of the image, sound and objects to define the space, to extend it and to give it meaning, we can tackle the tensions inherent in the space we occupy. The dancer, who is only present in the image, becomes both the subject of, and a character in, different fictional video stories.

Source: Hervé Robbe

Choreography
Director
Year of production
2000
Year of creation
2000
Art direction / Design
Hervé Robbe
Original score
Andrea Cera, avec la collaboration de l’Ircam-Centre Pompidou
Other collaboration
création images Jean-Damien Charrière assistant réalisateur Emmanuelle Legrand chef opérateur Christophe Neuville chef électro Dominique Texier montage Marie-Laure Florin
Performance
Romain Cappello, Emeline Calvez, Christina Clark, Ariane Guitton, Edmond Russo, Shlomi Tuizer, Yoshifumi Wako
Set design
Hervé Robbe
Production of choreographic work
Centre Chorégraphique National du Havre Haute-Normandie – Hervé Robbe co-production IRCAM – Centre Georges Pompidou – Paris, CICV – Pierre Schaeffer – Montbéliard Belfort avec la participation du Fresnoy, Studio national des arts contemporains et le soutien du Festival Octobre en Normandie et de l’Arsenal de Metz / Ce projet bénéficie du mécénat de la Fondation BNP Paribas
Video production
Christian Boustani
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