Parkinson

Parkinson est le récit de ce voyage, récit en forme d’accumulation d’images, bribes de souvenirs entrechoqués et trous de mémoire. Une odyssée où la danse et la parole marchent ensemble, se courent après, se décalent, se bousculent.

The piece echoes a trip of Alain Michard in Italy, in Puglia, invited by the architects collective named Stalker. The  ultimate experience of chaos, this stay to the south showed the  tremendous enjoyment of the Stalker to always postpone the passage to  the act, contaminated by the clean energy of the villages of this  region. The announced fiasco is transformed into a  moment of grace, in the middle of a religious festival punctuated by  fanfares, meals, and “pizzica”.
Parkinson is the story of this journey, a story in the form of an accumulation of  images, snatches of interlocking memories and memory lapses. An  odyssey of language closer to Joyce than to Homer, where dance and  speech walk together, run after each other, shift, jostle each other. Anchored in the earth, the dance turns into a trance, shocked, electric, with expressive hands at the ends of the body.

Source: Louma