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In a dance drawing from the reserves of the resistance of a body on the verge of exhaustion, Abou Lagraa explores intimacy. Pushing his energy’s resilience to the limit, he attempts to bring forth a memory inscribed in the neuronal source of this movement

In a dance drawing from the reserves of the resistance of a body on the verge of exhaustion, Abou Lagraa explores intimacy. Pushing his energy’s resilience to the limit, he attempts to bring forth a memory inscribed in the neuronal source of this movements, an atavistic history of his own body, the physical marks of wich are revealed to us here. In a very personnal choreographical grammar, he combines his present, his ambiguities, his doubts. With great sincerity he stages the desire of accomplishment passing through the combination of a history and a desire. The dance is rapid, the movements sweeping, always rubbing up against the limits of the floor. It explores contradictions, the posture is at once serious and frivolous. The two characters Masculine and Feminine get tangled in an obvious duality. It is with incredible energy that the dance manages to resolve an apparent opposition.

Source : Cie La Baraka

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