On the bridge

Translation in progress.

In 2010, la Compagnie La Baraka commands Laurent Aït Benalla the realization of a short movie, turned in Algiers, on the preparation of Nya, Abou Lagraa: it looks On the Bridge (9 ‘). He intends to prolong this meeting with young Algerian contemporary dancers and la compagnie La Baraka by a movie, for the television or the cinema, which redraws this adventure.

Source : Cie La Baraka

En savoir plus : www.aboulagraa.fr

Nya, the first piece of the Contemporary Ballet of Algiers is the result of a work in binomial, that established with Nawal Aït Benalla-Lagraa, within the framework of the Mediterranean Cultural Bridge. It is indeed through an intense formation (classic, contemporary and yoga), that she knew how to give to these young dancers stemming from the street, a physical freedom and an intellectual opening to be available on my choreographic writing and on the process of creation himself, in all her complexity and her difficulties.
Thanks to this artistic opening, carrier of hope, and to their expressed enthusiasm, Nya, Arabic word expressing the fact of relying on the life, appeared to me here as an evident title of sense. Indeed, in Algeria, from our early childhood, our parents pass on to us this word which is directly connected to the divine and which is an integral part of the vocabulary of every day. If somebody carries in him this Nya, he is necessarily going to transform all the sufferings of the life to help him to exist, to bloom and thus to open to the world. It is very there that this Mediterranean Cultural Bridge also takes all its sense. Because he offers to this current youth, the means to imagine, to create and to give to the public a more just vision of the fact that she is.

This creation consists of two different parts, each was bathed by two representative musics of the French and Algerian collective memory: the Bolero of Maurice Ravel and the Singings of Houria Aïchi. And two choreographic universes show themselves there. For the first one, my choice is to highlight the peculiarity of every dancer in a writing hip-hop. For second, my desire is to speak about their culture and about their identity, made by tradition and by modernity. And so dances and musics allow the journey between both banks of this Mediterranean Bridge. The mesmerizing voices of Houria Aïchi and the Bolero of Ravel in the oriental melodies wrap the bodies of the dancers to take them until the trance.

Source : Abou Lagraa

En savoir plus : https://www.aboulagraa.fr/