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Nicht Schlafen

Choreography
Director
Year of production
2016
Year of creation
2016

For this creation, Alain Platel took as a starting point the work of the Austrian composer Gustav Mahler. He took his music to look at Europe in the early 20th century.

A group of men gathers around some dead horses to perform a ritual. Summarized in one sentence like this, “nicht schlafen” might retain the semblance of a story. But everything instantly contradicts this notion. The area of the archaic cult is bounded by a giant blanket. And amongst the men there is one woman. Is this the staging of a new Rite of Spring? Will a woman be sacrificed once more to atone for failing masculinity? For this production of director Alain Platel uses the work of the Austrian composer Gustav Mahler as its starting point, as proposed by Gerard Mortier. It wasn’t love at first sight for Platel. Initially, he did feel particularly affinity with the era Mahler expresses in his work: an age of great acceleration and disruption leading up to the First World War. But then, in the nervousness and aggressiveness, passion and yearning for a lost harmony that is expressed by Mahler’s music,  Platel discovered also a match for the images he’s looking for in his work. The musical direction is in the hands of composer Steven Prengels. In the soundscapes he puts the Mahler in contrast to African polyphonic chants and herds in sounds of cowbells or sleeping animals. In terms of stage-setting, this is the first collaboration between Alain Platel and visual artist Berlinde De Bruyckere. What they have in common: a love for the big themes of suffering and death. Together with a group of nine dancers they started the search for the potential for transformation, with the shaky hope that things will not end in large-scale destruction. That potential, that possibility is what this group of dancers want to look for in every performance, without a safety net. A dance of life and death.

Credits

Direction Alain Platel Composition and musical direction Steven Prengels Creation and performance Bérengère Bodin, Boule Mpanya, Dario Rigaglia, David Le Borgne, Elie Tass, Ido Batash, Romain Guion, Russell Tshiebua, Samir M’Kirech Dramaturgy Hildegard De Vuyst Musical dramaturgy Jan Vandenhouwe Artistic assistance Quan Bui Ngoc Set design Berlinde De Bruyckere Light design Carlo Bourguignon Sound design Bartold Uyttersprot Costume design Dorine Demuynck Stage manager Wim Van de Cappelle Photography Chris Van der BurghtProduction manager Valerie Desmet Tour manager Steve De Schepper Production les ballets C de la B Coproduction Ruhrtriennale, La Bâtie-Festival de Genève, la Biennale de Lyon, L’Opéra de Lille, MC93 – Maison de la Culture de la Seine-Saint-Denis, TorinoDanza, Holland Festival, Ludwigsburger Schlossfestspiele, Kampnagel Hamburg

Video Production: Maison de la DanseVideo direction: Fabien Plasson2016

Choreography
Director
Year of production
2016
Year of creation
2016
Art direction / Design
Alain Platel
Secondary artistic direction
Quan Bui Ngoc
Artistic advice / Dramaturgy
Hildegard De Vuyst (dramaturgie), Jan Vandenhouwe (dramaturgie musicale)
Lights
Carlo Bourguignon
Original score
Steven Prengels (composition et direction musicale)
Other collaboration
Chris Van der Burght (photographie)
Performance
Bérengère Bodin, Boule Mpanya, Dario Rigaglia, David Le Borgne, Elie Tass, Ido Batash, Romain Guion, Russell Tshiebua, Samir M’Kirech
Production of video work
Maison de la Danse, Biennale de Lyon
Scene setting
Alain Platel
Set design
Berlinde De Bruyckere
Sound
Bartold Uyttersprot
Production of choreographic work
Ballets C de la B // Coproduction Ruhrtriennale, La Bâtie-Festival de Genève, la Biennale de Lyon, L’Opéra de Lille, MC93 – Maison de la Culture de la Seine-Saint-Denis, TorinoDanza, Holland Festival, Ludwigsburger Schlossfestspiele, Kampnagel Hamburg
Technical direction
Wim Van de Cappelle
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