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Morgan's last chug

Choreography
Collection
Year of production
2013
Year of creation
2013

Morgan’s Last Chug est une étude sur le temps fragmenté. Un regard multidimensionnel porté sur le temps qui passe, par le prisme de la chorégraphie et de l’environnement sonore.

“Morgan’s Last Chug is a study of fragmented time. A multidimensional reflection on the passing of time, through the prism of choreography and the acoustic environment. Through an uninterrupted series of variations using different methods of composition linked to time, the dancers explore dance as though it were a musical practice in its own right, bringing out its temporal aspects and its mechanisms. Beckett’s fascinating monologue, taken from the play Krapp’s Last Tape, which is a theatrical counterpoint between stage performance and sound recording, emphasises the numerous ways in which human experience is inhabited and highlighted by the passing of time.” 

Source: Emanuel Gat

More information: emanuelgatdance.com/

Choreography
Collection
Year of production
2013
Year of creation
2013
Duration
20′
Lights
Emanuel Gat
Music
Suite Française n°1 en ré mineur BWV 812 de Johann Sebastian Bach, interprétée par Glenn Gould – Musique Funèbre pour la Reine Mary – Marche d’Henry Purcell, Interprétée par Andrew Parrott, Taverner Consort & Players – Krapp’s Last Tape (La Dernière Bande) de Samuel Beckett, interprétée par Jim Norton, avec l’accord de Naxos AudioBooks ISBN 978-962-634- 332-6
Other collaboration
Geneviève Osborne
Performance
L.A. Dance Project
Production of video work
Maison de la Danse – Septembre 2013
Sound
Emanuel Gat
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