Mirage

What’s behind all the humor we love to experience from the position of a spectator?

What’s behind all the humor we love to experience from the position of a spectator? What’s behind all the elegance and lightness of dancers that we so often admire? And how about stand-up comedians? Are they all really so funny and happy? And dancers, what happens with their energy when the spotlight switches off? A rollercoaster ride. Euphoria giving in to fear and trembling knees… And still, we can’t help wanting it over and over.

Recently, Václav Kuneš has been enchanted by the genre of stand-up comedy. He has spent hours and hours watching the masters of the genre, among them Jimmy Fallon, Dave Chappelle, Omid Djalili, Mitch Fatel or the Hollywood actor Robin Williams. It is on the ground plan of stand-up comedy that he now builds his new piece, one to oscillate between humour and poignant questions that go underneath the skin of those who stand on stage and try to make the audience laugh. Is performance on stage more a form of psychotherapy or rather copy-pasting our own ideas again and again and betraying our emotions?

We are not only misleading ourselves but we are also trying hard to deceive people around us. One of the frequent aspects of stand-up comedy is the use of the performer’s own ‘tragic stories’ and mishaps wrapped in and spiced-up with (often black) humour. The audience can usually identify with individual stories and therefore they can laugh at them at the very moment. In many ways, in everyday life, we use the same tools to get by, to be able to laugh about ourselves, about our own mistakes to simply reconfirm to ourselves that we ARE living. And it is very inspiring at certain moments. This effort to camouflage things generates adrenalin one can become addicted to. How far are we willing to go to satisfy the need for this adrenalin? Where are the limits for us to purposely ‘create’ these mistakes and mishaps only to validate our living? And why do we even do that?

Music for the piece is composed by Owen Belton, a Canadian composer and a holder of the prestigious Dora Mavor Award, known to the Czech public for his collaboration with Crystal Pite, a renowned Canadian choreographer. Pite was introduced to the Czech audience by the intermediary of 420PEOPLE who invited her to perform at the New Stage of the National Theatre within the TANEC PRAHA festival in 2011. Costumes are be designed by a young Prague-based fashion designer tandem Anna Tušková and Radka Sirková who create under the label CHATTY. Among other things, the young designers have received the Designblok Award in 2011.