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Le répertoire en mouvement

Director
Réalisation Centre national de la danse
Year of production
2010
Year of creation
2009

Recorded at the CND 18 November 2011

The repertoire in motion
“Étude révolutionnaire” by Isadora Duncan / creation 1921

Choreography Isadora Duncan
Reconstruction Labkine Company

This lecture demonstration aims to offer the public an opportunity to access reading in motion and to give them the keys to a better understanding of choreographic writing.
With the “Étude révolutionnaire” score by Isadora Duncan (1921) as the starting point and the questions that it contains, the Labkine Company explores the process for reconstructing and reinterpreting the works of the repertoire.

What is the inherent part of the composition of a piece of work ? How much interpretation leeway does a dancer have ?
A meeting point between the body in motion and choreographic writing, reassembling a piece of work is an invitation to enjoy exceptional contemporary “re-creation”.

Further information

Labkine Company website

Updating: September 2011

Director
Réalisation Centre national de la danse
Year of production
2010
Year of creation
2009
Art direction / Design
Noëlle SIMONET et Jean-Marc PIQUEMAL
Duration
60 minutes
Lights
Didier BRUN
Music
Alexandre SCRIABINE Etude pathétique (Étude pour piano op. 8 n° 12) et Étude pour piano op. 2 n° 1
Other collaboration
“Etude révolutionnaire” est un solo d’Isadora Duncan (1921) qui fait partie de la trilogie ” Impressions de Russie ” remonté d’après une partition notée par Nadia Chilkovsky
Performance
Déborah TORRES, Georgey SOUCHETTE, Noëlle SIMONET, Jean-Marc PIQUEMAL
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