Le dernier survivant de la caravane

Accompagné par les rythmes et les chants pygmées, avec les mouvements de la capoeira et le son du berimbao,Bouba Landrille Tchouda évoque la traite, la traque, la crainte, la contrainte, la puissance blessée, la force d’un corps vaincu mais rebelle

“… This solo inspired by Etienne Goyemidé’s book, a classic figure in French-speaking African literature, is not the gestural translation of this author’s work. My dance attempts to simply transcribe my vision and my perception of slave trade … during and after reading this work I do not claim to rewrite the history of slavery, which I have not known and even less experienced, but by reading this work by Etienne Goyemidé. .. I lived to the rhythm of the pages, I felt the joys, the sorrows, the hatred of these scorned people, in an excruciatingly realistic way … in my body, in my head … “

Source: Bouba Landrille Tchouda