This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
La légèreté des tempêtes - Teaser
La légèreté des tempêtes (The Whim of storm) is the calm before the storm, alternately holding back and letting go.
In this piece Christian and François Ben Aïm attempt to explore desire, the source of powerful forces, a boundless energy that continually pushes the body to move in an inordinate quest towards an inaccessible goal. Conceived as the driving force of the performers on stage, it breathes life into them, giving each movement a spontaneous sense of urgency that is by turn creative or destructive.
What state does our perpetual yearning plunge us into ?
How does desire interfere with our gestures and movements?
What relationships does it prompt us to form with others?
Are we thinking puppets in an unconscious or invisible world?
La légèreté des tempêtes (Lightness of storms) analyses the states into which the beings around us are plunged by their irrational appetites.
THE MUSIC: ANOTHER CHARACTER IN THE PIECE
The music plays a central role in this piece, because the musicians appear on stage with the dancers, and the set design puts them at the forefront.
The choreographers commissioned composer Jean-Baptiste Sabiani to write an original score, which is performed on stage by a contemporary group of three cellists and a singer-percussionist. La légèreté des tempêtes is the fourth composition Jean-Baptiste Sabiani has created for Christian and François Ben Aïm. For the first time, they asked the composer to write the score before the rehearsals. This meant they had to adopt a new approach that involved writing the choreography based on the music.
A CONVULSIVE DANCE
Christian and François Ben Aïm explore the frontiers of desire through a precise, convulsive style of writing that manifests as a succession of sensations and resonances, consisting of rupture, urgency and grace, leading to states of suspense and swirling, resistance and release, chaos and calm.
The performers are gripped, sometimes involuntarily, by states, emotions and impulses that overtake them and that they can see working inside them. It doesn’t matter whether these states are joyous, serious or distressing – the dancers observe the reactions they arouse in them with the same interest, simply for the pleasure of the experience.
Through the prism of these contrasts, the choreographers create an insightful map of the world that surrounds us, and experience its harsh realities on our bodies, thoughts and feelings.
