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H O M E aims at questioning the notion of everyday life and the doubts, fears and satisfactions related to it. We want to focus on the moment of realization of one’s own habits. And on the ways that sudden awareness affects and redefines human relationships according to its nature.
Work here is centered on different body rhythms and deliberately wants to disembody the dancers on stage. Taking inspiration from movie directors such as Martin Arnold and Peter Kubelka and their work on the notions of repetition and accident, we use physical cut-up, presenting bodies physically stuttering in an attempt to render vision delusive. This dance is an attempt at reorganizing a perception of time by means of movement. Movement here is radical in its execution, it can take up the whole stage or reduce itself to the almost imperceptible. And it’s that exercise of permanent oscillation which interests me here.
Movement is precise, rhythmical and necessary for the dancers. In a more practical way, the aim is to go and work with what’s in-between movement, what’s in-between two actions.
Source : Collectif A/R
More information: collectifar.com
