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Planta Baja
Karine Ponties
Dame de Pic
Karine Ponties
Vecinas
Karine Ponties
Negatovas
Karine Ponties
Glabelle
Karine Ponties
Glabelle duo
Karine Ponties
Les Taroupes
Karine Ponties
Brucelles
Karine Ponties
Capture d’un caillot
Karine Ponties
Sentinelele Naftalina
Karine Ponties
Desirabilis
Karine Ponties
Brutalis
Karine Ponties
Fatima Gate
Karine Ponties , Nathalie Elghoul
Mi Non Sabir
Karine Ponties
Le Chant d’amour du grand singe
Karine Ponties
Phébus et Borée
Karine Ponties
Des Taureaux dans la tête
Karine Ponties
Holeulone
Karine Ponties
Boreas
Karine Ponties
Fidèle à l’éclair
Karine Ponties
Havran
Karine Ponties
Humus vertebra
Karine Ponties
Absentia
Karine Ponties
Mirliflor
Karine Ponties
Tuco
Karine Ponties
Lamali Lokta
Karine Ponties
Babil
Karine Ponties
PISUM SATIVUM
Karine Ponties
SOI
Karine Ponties
Tyran(s)
Karine Ponties
Pastime Paradise
Karine Ponties
Luciola
Karine Ponties
Le sourire des égarés
Karine Ponties
4PKP
Karine Ponties
20 Years of Dame de Pic
Karine Ponties
Hero%
Karine Ponties
Holeulone
Prix de la Critique de la Communauté Française de Belgique du Meilleur spectacle de danse contemporaine 2007
Iconic show in Dame de Pic’s production history, Holeulone is a piece for two male dancers and animated ink born from the collaboration between choreographer Karine Ponties and visual artist Thierry Van Hasselt, after their first “child,” solo Brutalis, in 2002.
Holeulone develops the bond between movement and image, and delves into the inner world of a troubled man: the changing rhythms of his thoughts, his actual and imaginary memories, the clarity and confusion of his perceptions… But then, at one moment, his twin brother appears — a kind of inner actor very similar to his own self – that he loses all balance…
This piece was awarded the French Community of Belgium’s Critics Prize for Best Contemporary Dance Performance in 2007, and also received a special mention at the 2008 MIMOS festival “for its aesthetic qualities, its originality, the dancers’ theatrical abilities as well as the technical mastership of their physicality.”
