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Hell
In “HELL”, Emio Greco and Pieter C.Scholten delve into and explore the components of different forms, fashions, and compositions in dance, and they examine how these might be decoded and interpreted.
In “HELL”, Emio Greco and Pieter C.Scholten delve into and explore the components of different forms, fashions, and compositions in dance, and they examine how these might be decoded and interpreted. This research is based on an approach allowing the boundaries of our physical identity to be pushed back. During the composition process, connotations and associations established around the concept of hell are dismantled and broken down to give them new meaning. Greco and Scholten draw their inspiration from the plastic arts, performing arts, music and literature, in particular Dante’s “Inferno” and Beethoven’s “Fifth Symphony”. By bringing their own interpretation to certain classical works, they shed new light on them and raise real questions about existence. Source : Maison de la Danse programmeCreditsChorégraphie Emio Greco | Pieter C. Scholten conception lumières, scénographie et son Emio Greco | Pieter C. Scholten assistante des chorégraphes Bertha Bermudez Pascual lumièresHenk Danner costumes Clifford Portier musiques montage avec entre autres l’«Allegro con brio» de la Cinquième Symphonie de Beethoven remerciement spécial à Joost Rekveld danseurs Ty Boomershine, Vincent Colomes, Sawami Fukuoka, Emio Greco, Marta Lopes, Nicola Monaco, Marie Sinnaeve, Suzan Tunca assistante à la production, technique Melissa van Geldere techniciens Paul Beumer, Melissa van Geldere, Sander Loonen Production Emio Greco | PC coproduction Théâtre de la Ville (Paris), Festival Montpellier Danse 2006, Maison de la Culture Amiens, barbicanbite07 (Londres), Cankarjev Dom (Ljubliana), Julidans 2006 (Amsterdam) Emio Greco | PC reçoit des subventions du Ministère de l’Enseignement, de la Culture et des Sciences des Pays-Bas ainsi que du FAPK.Réalisation vidéo Charles Picq date du document vidéo 2006 production Maison de la DanseDurée de l’œuvre 1h40