This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Everything Not in Its Right Place II
Specially conceived for this edition of Camping, Everything Not in Its Right Place II stands as an active examination of minimalism, the piece being essentially written around simple but amplified movements, whose effects are inversely proportional to their concision. If space and time stand as a framework which is irreducible and sufficient for an action reduced to its significant minimum, Bhu Bhu II nevertheless brings in staged elements that set about organising a dramaturgy. At the meeting point between a living body and physical material, the piece takes its place in a scenic installation which the public is invited to discover close-up. As its title suggests, Everything Not in Its Right Place II upsets established orders, by organising shifts of meaning and displacements between cultural references, which end up dislodging minimalism from its theoretical bases and renewing its imaginaries.