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En danseuse - Emmanuelle Huynh
En danseuse is a piece of work choreographed, based on a creative process that focuses on the body of the choreographer-dancer. A series of collaborations of Alain Michard with several choreographers from different generations, and varied backgrounds led to the birth of this piece, a ‘collection of dances’ with scenography using sound and video.
En danseuse is made of a scenographic installation which combines images of dance and sounds. Is it thought of as a confrontation between two choreographical forms, but also between two memories. It offers to audiences several ways of looking at the work, and appeals to their own memories of dance.
En danseuse is based on the idea that the body of the choreographer is the very source of their work, and carries within himself/herself a true History of dance. Vast and unique, this dance History is made of dances which have been lived, but also dances that have been seen or dreamt, and of everything that has fit in with ‘choreographic material’.
En danseuse questions the role of images, and how they are active both in memory and in the choreographic gesture.
Emmanuelle Huynh, dancer, choreographer and teacher, studied dance and philosophy. Some creations: Mùa (1995), A Vida Enorme (2002), Cribles (2009), TÔZAI!… (2014), A taxi driver, an architect and the High Line (2016) or Formation (2017). Her work is supported by Plateforme Múa, which is labeled «company and ensemble with national and international influence». From 2004 to 2012, she managed the CNDC Angers. After a position at the Ecole Nationale Supérieure d’Architecture in Nantes, she has been Professor at the École Nationale des Beaux-Arts in Paris since September 2016.
