Numeridanse est disponible en français.
Souhaitez-vous changer de langue ?
Warning, sensitive content.
This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?

Décompositions 1 et 2

Choreography
Director
Réalisation Centre national de la danse
Year of production
2003
Year of creation
2003

Recorded at the CND 18 March 2003

At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance. I can only say, there we have been: but I cannot say where. And I cannot say how long, for that is to place it in time. T.S. Eliot in Burnt Norton, Four Quartets

“’Décompositions 1 et 2′ are two ‘small forms’, trios presented successively within the same stage set. These two pieces, even though composed separately, ended up forming just one unit and representing for me the outcome of a reflection on the perception of time.

If ‘Décompositions 1′ takes the footprint as the starting point for its work, and might be seen as the experience of an ever-elusive reasoning, ‘Décompositions 2′ explores the idea of a process of infinite ramifications, in a progression which is endless in itself.”

Emmanuelle Vo-Dinh 

Updating : March 2010

Choreography
Director
Réalisation Centre national de la danse
Year of production
2003
Year of creation
2003
Art direction / Design
Emmanuelle Vo-Dinh
Secondary artistic direction
Franck Picart
Lights
Françoise Michel
Other collaboration
Création sonore Paul Gasnier – Régie son Eddie Taraud
Performance
Elsa Banal, Maeva Cunci, Cyril Geeroms, Maud Le Pladec, David Monceau, Franck Picart
Technical direction
Régie générale Jean-Michel Hugo
Add to the playlist