Danses d'ailleurs

At the dawn of the 20th century, « exotic » dance, linked to colonization, conveys racist stereotypes and with them, the myth of the « animal » or « erotic » dancer. But these dances reveal resolutely new gestures, sources of inspiration for the avant-garde choreographers.

Thus, Raphaëlle Delaunay, a dancer at the Paris Opera who later joined the greatest contemporary companies, reinterprets in her choreographies the black dances to « appropriate this memory and this story ».

Source: Corps Rebelles

More information: http://corpsrebelles.museedesconfluences.fr/

The exhibition Corps rebelles invited the public to discover contemporary dance. She presented the different approaches of the dancing body, illustrated by emblematic choreographies.

The question of interpretation was also at the heart of the exhibition with eight versions of The Rite of Spring created by eight great choreographers. The exhibition continued by treating notation as a tool for memorizing and transmitting a gesture.

Source: Corps rebelles

More information: http://corpsrebelles.museedesconfluences.fr/