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Dalila et Samson, par exemple

Choreography
Director
Collection
Year of production
2007
Year of creation
2005

Dalila et Samson, par exemple corresponds with a desire to write a sort of danced oratorio for a man and a woman.

The  treatment of the human body in the overflowing universe in paintings by  Rubens and Jordaens, the rigueur and the modesty of Dutch 17th century  portraits and the music of that period inspired the piece.

The  Baroque style can be found in the relationships between men and women  and knocks a predictable or conventional situation off balance to reach a  state of paroxysm resulting in a role-reversal, a confusion of gender  and a disruption of perception. The piece uses these themes present in  painting by freely appropriating pictorial representations and musicals,  characters – legendary and biblical couples in order to attain what  could be described as a low-key Baroque style. 

Herman Diephuis 

En savoir plus : www.hermandiephuis.com

Choreography
Director
Collection
Year of production
2007
Year of creation
2005
Art direction / Design
Herman Diephuis
Artistic advice / Dramaturgy
Bertrand Davy
Lights
Sylvie Melis
Music
Purcell, Leclair, Caldara
Performance
Dalila Khatir et Herman Diephuis
Sound
Frédéric Minière
Production of choreographic work
ONNO / Coproduction Festival de Danse de Cannes – Centre Chorégraphique National de Montpellier Languedoc Roussillon – Le Manège de Reims, scène nationale
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