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Vaguely light
Hervé Robbe
Vague
Hervé Robbe
So long as baby…love and songs will be
Hervé Robbe
Une maison sur la colline
Hervé Robbe
Un appartement en centre ville
Hervé Robbe
Wave 03
Hervé Robbe
Vingt plus un
Hervé Robbe
Rew
Hervé Robbe
Polaroïd
Hervé Robbe
Permis de construire
Hervé Robbe
Origami
Hervé Robbe
Navigations
Hervé Robbe
Mutating score
Hervé Robbe
In between – Yellow suite
Hervé Robbe
Des horizons perdus
Hervé Robbe
Bye see you next … no more
Hervé Robbe
Avis de demolition
Hervé Robbe
Flowing along
Hervé Robbe
Id
Hervé Robbe
2.Id
Hervé Robbe
Initiales
Hervé Robbe
V.O Projet
Hervé Robbe
Histoire courte des enfants de la place Hébert
Hervé Robbe
Made of
Hervé Robbe
Assaï Vivace
Hervé Robbe
De humani corporis fabrica
Hervé Robbe
En espérant l’eclipse
Hervé Robbe
Appassionata
Hervé Robbe
Antichambre repetita
Hervé Robbe
Factory
Hervé Robbe
Là on y danse
Hervé Robbe
Factory
Hervé Robbe
Next Days
Hervé Robbe
Un Terrain Encore Vague
Hervé Robbe
Slogans
Hervé Robbe
Danse de 4 (Teaser)
Hervé Robbe
Danse de 20 (Teaser)
Hervé Robbe
Remembrance 3 (2012-2019)
Hervé Robbe
Remembrance 1 (1987/1998)
Hervé Robbe
Remembrance 2 (1999-2011)
Hervé Robbe
Danse de 6
Hervé Robbe
A new landscape – teaser
Hervé Robbe
Bye see you next ... no more
“Conceived as a diptych, the show is presented as two separate sections. In this first section, a feeling of confrontation dominates, and the spirit of destruction disorganises the dances. The second part presents a dissolving space, flow, movement.
“Conceived as a diptych, ‘Bye see you next…no more’ is presented as two separate sections. The first part, based on a hierarchy of events, of blocks in conflict which complement and destroy each other, is bathed in the musical world of the self-taught and intuitive experimental group Autechre, whose compositions, allied with the choreography, induce a distanced view rooted in the present. In this first section, a feeling of confrontation dominates, and the spirit of destruction disorganises the dances. The forms of conventionality, like the conditioned view that it entails, are twisted and distorted here.
By way of counterpoint, the second part presents a dissolving space, flow, movement and five solos, five dancers to coexist. Like its title, ‘Bye see you next…no more’, the piece keeps up an ambivalence and this ambiguity runs through the dances. But if the possible is not necessarily born out of chaos, the movement of this second section unfolds in the spirit of this quest. Gestures are made tentatively, they debate, meet. Hervé Robbe was looking for an alternative response and this desire colours the course of the choreography, allows it to expand, loosen up. This freeing up is presented as a passage through states and emotions, marked by the pleasure of dancing.”
Source: Irène Filiberti