This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?
Planta Baja
Karine Ponties
Dame de Pic
Karine Ponties
Vecinas
Karine Ponties
Negatovas
Karine Ponties
Glabelle
Karine Ponties
Glabelle duo
Karine Ponties
Les Taroupes
Karine Ponties
Brucelles
Karine Ponties
Capture d’un caillot
Karine Ponties
Sentinelele Naftalina
Karine Ponties
Desirabilis
Karine Ponties
Brutalis
Karine Ponties
Fatima Gate
Karine Ponties , Nathalie Elghoul
Mi Non Sabir
Karine Ponties
Le Chant d’amour du grand singe
Karine Ponties
Phébus et Borée
Karine Ponties
Des Taureaux dans la tête
Karine Ponties
Holeulone
Karine Ponties
Boreas
Karine Ponties
Fidèle à l’éclair
Karine Ponties
Havran
Karine Ponties
Humus vertebra
Karine Ponties
Absentia
Karine Ponties
Mirliflor
Karine Ponties
Tuco
Karine Ponties
Lamali Lokta
Karine Ponties
Babil
Karine Ponties
PISUM SATIVUM
Karine Ponties
SOI
Karine Ponties
Tyran(s)
Karine Ponties
Pastime Paradise
Karine Ponties
Luciola
Karine Ponties
Le sourire des égarés
Karine Ponties
4PKP
Karine Ponties
20 Years of Dame de Pic
Karine Ponties
Hero%
Karine Ponties
Brucelles
Sextuor created in the context of Bruxelles/Brussel 2000, European Capital of Culture
Brucelles (lat. Bersella) are very fine spring-clips used for picking up small objects, a sort of tweezers.
Brucelles is the encounter between three universes (Glabelle(solo),Les Taroupes(duo) and Keep Smiling* (trio)) around Robert Walser’s Institute Benjamenta (cf. the film by the Brothers Quay). This source material was like a central point or a shared place through which were articulated the rites, codes, games and traditions of each of these worlds. Hybridization and co-existence, reorganization of a mini-society out of a confrontation with solitude, with a duality and a threefold unity.
Since I arrived at Institute Benjamenta, I have already succeeded in becoming an enigma to myself. I, too, was contaminated by a very strange sense of contentment which I had never before experienced. I obeyed reasonably well, though not as well as Kraus, who has perfected the art of bending over backwards to follow orders (…) we are all alike in one respect (…) we are humble, humble to the nth degree of servility (…) We wear uniforms, and this uniform humiliates us and reveals everything at the same time. We look like slaves in them and it may be a shame, but we also look good, and this separates us from the profound ignominiousness of those people who wander about in clothes that are fine for them, but dirty and torn. (…) No, what Mademoiselle Benjamenta teaches us seems to me to be worth meditating on. It isn’t much, and we keep repeating it, but perhaps there is a secret behind all of these vain and laughable things. Laughable? We, the boys of Institute Benjamenta, are never in the mood to laugh. Our faces and attitudes are very serious.
(…) What I know is that I will grow up to be a beautiful, big round zero.
Excerpt from Institute Benjamenta by Robert Walser [Original title. Jakob von Gunten. Ein Tagebuch 1909.]
* Keep Smiling is a work in progress performance by Éric Domeneghetty, Juan Benitez and Jean Fürst.