Numeridanse est disponible en français.
Souhaitez-vous changer de langue ?
Warning, sensitive content.
This content contains scenes that may shock an uninformed audience.
Do you still want to watch it?

Angelin Preljocaj - Centre chorégraphique national d'Aix en Provence

Choreography
Year of production
1996

Director Aix-en-Provence’s National Choreographic Center since 1996, Angelin Preljocaj has been developing a repertoire mixing classical and contemporary works.

The director of the Centre Chorégraphique d’Aix-en-Provence since 1996, Angelin Preljocaj develops a repertoire work that mixes classical works and contemporary creation. Undoubtedly why he has been called on a number of times by various ballet companies and particularly by the Opéra de Paris. This process has affected his gestural technique that combines these two types of language with a style hovering between fiction and abstraction.

Settings designed by Enki Bilal, watchtowers and armed gangs, it is in this bloody, violent and chilling universe that Angelin Preljocaj imagines Romeo and Juliet. The choreographer explains that he has recourse indifferently to classical dance or contemporary dance that he works on according to the result he wishes to obtain. He then reverts to the value of transmission, that duty of remembrance that keeps barbarity at bay. Other elements present in his reflection are dynamism, corporal architecture and physical laws. For Angelin Preljocaj, the issues of rhythm, energy and speed are also a means of transforming emotions and energies in order to redeploy his approach onto the stage as directly as possible.

Source : Irène Filiberti

Choreography
Year of production
1996
Art direction / Design
Jean-Michel Plouchard
Duration
26′
Production of video work
Injam production, Paris première / Participation CNC, ministère de la Culture (DMD), ministère des Affaires étrangères
Add to the playlist