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Allers-Retours

Year of production
2000

In Le Havre, where the population is half-composed of immigrants, Cécile Raynal-Diarra’s african dance workshop witnesses the attraction of cultural exchanges through the experimentation of motion.

In Le Havre, where at least half its population are immigrants, Cécile Raynal-Diarra’s African dance workshop finds a special echo. This young French woman lived in Africa for a long time, then deciding, on her return to France, to pass on what she had learnt there. Designed in four parts, Christian Zarifian’s film testifies to the attraction of cultural exchanges that are expressed through this experience of movement.

Allers-Retours is filmed in a single place: the dance studio. Every Wednesday, students of varying origins learn African dance to the beat of the percussions played there. This class is, as often, solely attended by women. Each part of the documentary corresponds to a specific moment in the workshop filmed over the year. With time, the camera is forgotten and the students speak, explaining why they chose to follow these classes. Each one gives their impressions: seeking another state, losing control over your body, being in the music or dancing for others, all these form part of the discoveries of dance. But this learning process also shows the interest each student takes in questioning their own roots, by confronting a different culture or by seeking to regain their own.

Source : Irène Filiberti

Choreography
Year of production
2000
Art direction / Design
Christian Zarifian
Production of choreographic work
les Films Seine-Océan, TV10 Angers Participation : CNC, Fas, ministère de la Culture et de la Communication (DDAT)
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