Nach

Nach came to dance through Krump, which she discovered in 2008, and is simultaneously developing her relationship with the stage and with creation. Performing for a variety of artists, she has met a wide range of personalities, including choreographer Heddy Maalem and director Marcel Bozonnet. In music, she works with Koki Nakano and Ruth Rosenthal (Winter Family collective). In film, she is leading a unique adventure with students from one of the schools of the Kourtrajmé collective. It’s a work of transmission focusing on the body, posture and embodiment, fundamental elements in her own career.

A turning point came in 2017 with the creation of her first solo, Cellule, soon followed in 2019 by Beloved Shadows, a piece created after a trip to Japan. There she discovered performing arts such as Noh and Bunraku theatre, as well as Butoh dance.

More convinced than ever of the need to ‘tell a story’, Nach is increasingly committed to her own path, that of an organic body, whose powerful, delicate dance intersects with other perceptions and artistic gestures such as the visual arts, wandering and sliding spaces, light and words. This approach to creation is reflected in her danced lecture Nulle part est un endroit (2021). Resistant to categories, her work questions both the feminine and the processes undertaken by each individual to reclaim a multiple identity. These are questions she tackles in a different way in her new creation Elles disent, her first group piece, premiered in November 2022, as well as in a video installation project, Scène pour récit nu, which will be presented in September 2023 at the Biennale de la Danse in Lyon.

Source : Nach website