Madeleine Fournier

A performer and choreographer, she trained in dance at the Conservatoire National Régional de Paris and the CNDC in Angers under the direction of Emmanuelle Huynh. In 2006 she interned at the company DCA Philippe Decouflé for the creation of Sombrero. In 2010 she received the DanceWEB scholarship as part of the Impulstanz festival in Vienna.      
Since 2007 she has worked with various different choreographers and visual artists in France, Germany and Belgium, such as Odile Duboc (Rien ne laisse présager de l’état de l’eau, Trois Boléros, Insurrection), Anna Konjeztky (Tagebuch), Laure Bonicel (Bad seeds), Emmanuelle Huynh (Cribles), Fabrice Lambert (Solaire, Faux Mouvement), Sara Manente (Faire un four), Moser and Schwinger, Boris Achour, Fanny de Chaillé and Philippe Ramette (Passage à l’acte), Loïc Touzé (Ô Montagne) and Jocelyn Cottencin.   
Since 2008 she has been working with Jonas Chéreau on a choreography reserach project. Together, they choreographed the duo Les interprètes ne sont pas à la hauteur, shown in various contexts (churches, galleries, studios, theatres) between 2008 and 2012 and Sexe symbole (pour approfondir le sens du terme) in 2013, shown at the CCN in Rillieux-la-pape, the Manège de Reims, the Vanves theatre and in Norway. They are also behind a film entitled 306 Manon, which was produced by Tamara Seilman, a video artist with whom they regularly collaborate.   
In 2014 she took part in Emmanuelle Huynh’s TOZAI! and Loïc Touzé’s 19 Mélodies, and in 2015, worked with Rémy Héritier.