Christine Corday

Christine Corday followed an atypical and very rich training path (dance, acrobatics and singing courses) marked by incredible adventures with choreographs, including Dominique Boivin (“Cabaret Pataphysique”, “Petites Histoires au-dessus du Ciel”, “Mécaniques”, “Conte sur Moi”, “Le Lion et le Rat”), Jean Gaudin (“Soirée Privée”), Marc Tompkins (“Home”), Régis Huvier (“Et ils barjottent”, “Cherche pas y’a moi”, “T’es mort ou pas cap”), collaborations with Pascale Houbin, Thomas Lebrun and Martha Moore.
 From these encounters and experiences a rather personal dance style was born: three soli created in 1997, and the works: “Mine de rien” (1997), “Elles” (2002), “Tous contes faits… si c’est possible” (2007), “Tim Songs” (2004), quartet in collaboration with the composer Jean-Christophe Marti, “Féroces” (2005) in collaboration with the dancer and choreographer Olivier Dubois. She also organizes bals musettes (traditional accordion-music balls) in a variety of theatres.
In 2010, Christine Corday and Viviane de Muynck worked on “La Mouche, l’Archange”, “Une histoire en mouvement, à deux voix, déraisonnables, extravagantes, contradictoires et absurdes”, (created on 12, 13 and 14 November 2010 at the Ferme du Buisson – National Theatre in Marne la Vallée, and notably presented from 16 to 20 March 2011 at the Bastille Theatre in Paris).

Last update : September 2011